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Μικρά Αγγλία by Ιωάννα Καρυστιάνη
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The No. 1 Ladies' Detective Agency by Alexander McCall Smith
" Χμμμ. Το "λαογραφικό" κομμάτι είναι καλούτσικο - αν και λίγο "άχου τα μωρέ κοίτα τι ωραία που περνάνε εκεί στη εξοχή". Το ντετεκτιβικό κομμάτι είναι, ...more "
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Rant by Chuck Palahniuk
Rant
by Chuck Palahniuk (Goodreads Author)
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Wool Omnibus (Silo, #1) by Hugh Howey
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The Grapes of Wrath by John Steinbeck
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The Virgin Suicides by Jeffrey Eugenides
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The Year of the Flood by Margaret Atwood
The Year of the Flood
by Margaret Atwood (Goodreads Author)
read in April, 2013
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The City and the Stars by Arthur C. Clarke
The City and the Stars
by Arthur C. Clarke
read in March, 2013
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The Good Earth by Pearl S. Buck
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Ursula K. Le Guin
“There was a wall. It did not look important. It was built of uncut rocks roughly mortared. An adult could look right over it, and even a child could climb it. Where it crossed the roadway, instead of having a gate it degenerated into mere geometry, a line, an idea of boundary. But the idea was real. It was important. For seven generations there had been nothing in the world more important than that wall.
Like all walls it was ambiguous, two-faced. What was inside it and what was outside it depended upon which side of it you were on.”
Ursula K. Le Guin, The Dispossessed

Kurt Vonnegut
“All this happened, more or less.”
Kurt Vonnegut, Slaughterhouse-Five

Jeffrey Eugenides
“Emotions, in my experience, aren't covered by single words. I don't believe in "sadness," "joy," or "regret." Maybe the best proof that the language is patriarchal is that it oversimplifies feeling. I'd like to have at my disposal complicated hybrid emotions, Germanic train-car constructions like, say, "the happiness that attends disaster." Or: "the disappointment of sleeping with one's fantasy." I'd like to show how "intimations of mortality brought on by aging family members" connects with "the hatred of mirrors that begins in middle age." I'd like to have a word for "the sadness inspired by failing restaurants" as well as for "the excitement of getting a room with a minibar." I've never had the right words to describe my life, and now that I've entered my story, I need them more than ever. ”
Jeffrey Eugenides, Middlesex

John Steinbeck
“As happens sometimes, a moment settled and hovered and remained for much more than a moment. And sound stopped and movement stopped for much, much more than a moment.”
John Steinbeck, Of Mice and Men

J.M. Barrie
“She was a lovely lady, with a romantic mind and such a sweet mocking mouth. Her romantic mind was like the tiny boxes, one within the other, that come from the puzzling East, however many you discover there is always one more; and her sweet mocking mouth had one kiss on it that Wendy could never get, though there it was, perfectly conspicuous in the right-hand corner.”
J.M. Barrie, Peter Pan

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