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    <action_text><![CDATA[new comment from Daniel]]></action_text>
    <link>http://www.goodreads.com/topic/show/68954-election-polls</link>
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    <updated_at>Wed, 17 Jun 2009 05:08:12 -0700</updated_at>
        
      
          <body><![CDATA[I think Lolita is a great discussion-starting book, because people who have never read it often express their surprise at how the sexuality is almost completely absent from the book - beyond tone and implication - and find it to be rather funny. <br/><br/>And Catcher in the Rye is a must-add ...]]></body>
        
    
  </update>  
      <update type="comment">
    <action_text><![CDATA[new comment from Daniel]]></action_text>
    <link>http://www.goodreads.com/topic/show/7291-the-case-against-the-canon</link>
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    <updated_at>Wed, 17 Jun 2009 05:05:10 -0700</updated_at>
        
      
          <body><![CDATA[NO, don't take any away - in fact, add some if anything. I hate this trend of lowering standards to make numbers look better ... it doesn't make us a more informed society. I think much of the secret to getting kids turned on to some of these books is in how it is taught ... I remember I had teacher that made us watch Star Wars while we read the Odyssey and we discussed the parallels - and it was great because so many other students participated. Another instance I can think of is trying to help my younger brother get through Romeo and Juliet, being taught by his give-the-same-list-of-facts-every-year-and-make-sure-they-know-the-plot, very boring high school teacher ... I just used small, stupid things to engage him (like showing him how SO much of Romeo and Juliet is just very old d*ck jokes), and it worked so much better than the kind of bland, this-is-a-classic-so-you-should-read-it teaching many kids suffer through. Looking back, I feel fortunate to have read so many books in grade/high school - even ones I might still find boring. I think this is the case because so many of the &quot;classics&quot; or great books have their importance beyond the book itself - often they are more like representatives of enormous social change and/or tensions of their time, brought to life and demonstrating that social climate so much more vividly than most other things can.]]></body>
        
    
  </update>  
      <update type="review">
    <action_text><![CDATA[gave 3 stars to: <a href="http://www.goodreads.com/book/show/1166372.The_Ghost_Soldiers">The Ghost Soldiers (Hardcover)</a> by <a href="http://www.goodreads.com/author/show/39154.James_Tate">James Tate</a>]]></action_text>
    <link>http://www.goodreads.com/review/show/46714778</link>
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    <updated_at>Tue, 17 Feb 2009 22:40:03 -0800</updated_at>
        
      
          <body><![CDATA[I like James Tate; his poetry typically reminds me what an organic process poem-making is. I've read a number of his previous books, and liked them all. But, to be honest, I was disappointed with this one. Even as a reader familiar with Tate's work and style, by midway through the book much of the w...<a href="http://www.goodreads.com/review/show/46714778">more...</a>]]></body>
        
    
  </update>  
        <update type="comment">
    <action_text><![CDATA[new comment from Daniel]]></action_text>
    <link>http://www.goodreads.com/topic/show/90804-any-good-new-series</link>
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    <updated_at>Wed, 28 Jan 2009 10:44:37 -0800</updated_at>
        
      
          <body><![CDATA[Brubaker is just great; him and Greg Rucka can write some of the best crime comics you can find. They both have a very authentic Noir feel, if you know what I mean. Definitely check out Criminal, its very good; he also just released a new comic called Incognito that looks great. If you never read Gotham Central (lasted about 40 or so issues, a few years back), I really loved that title and miss it sorely; has some great work by both Brubaker and Rucka ... it isn't a Batman book (really, he rarely appears, and when he does it is brief) but rather a gritty cop comic about cops who happen to be in Gotham. Very cool. ]]></body>
        
    
  </update>  
        <update type="review">
    <action_text><![CDATA[marked as to-read: <a href="http://www.goodreads.com/book/show/262201.The_Norton_Anthology_of_Children_s_Literature_The_Traditions_in_English">The Norton Anthology of Children's Literature: The Traditions in English (Slipcased Edition)</a> by <a href="http://www.goodreads.com/author/show/3839.Gillian_Avery">Gillian Avery</a>]]></action_text>
    <link>http://www.goodreads.com/review/show/38579070</link>
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    <updated_at>Mon, 24 Nov 2008 18:26:26 -0800</updated_at>
        
      
        
    
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      <update type="comment">
    <action_text><![CDATA[new comment from Daniel]]></action_text>
    <link>http://www.goodreads.com/topic/show/53053-indie-schmindie</link>
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    <updated_at>Mon, 24 Nov 2008 10:39:32 -0800</updated_at>
        
      
          <body><![CDATA[Have you read Adrian Tomine's Optic Nerve? I really love his work. Also, James Sturm - any of his works are fantastic. I have similar tastes, from what you listed, so I would highly recommend these. You already seem to be reading much of the great stuff: Drawn and Quarterly really publishes great stuff - go to their website and look around. Fun Home is a really great graphic novel, by Allison Brechdel. If you liked Berlin you should also check out Jar of Fools.<br/><br/>That is the only drawback to reading the best of the best - as a lifelong comic reader, you get in the habit of going every Wednesday and picking up new books, but sadly most of the great, great stuff only comes out around once a year, if that.]]></body>
        
    
  </update>  
      <update type="comment">
    <action_text><![CDATA[new comment from Daniel]]></action_text>
    <link>http://www.goodreads.com/topic/show/57675-someone-explain-grant-morrison-for-me</link>
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    <updated_at>Tue, 16 Sep 2008 08:44:33 -0700</updated_at>
        
      
          <body><![CDATA[While I agree Moore did some wonderfully innovative things, he has worn on me in recent years. LOEG was brilliant, and I liked some of the ABC stuff, but too often he seems to be doing weird for the sake of weird. Honestly, he is more of a mainstream writer than he is credited as, and just too much of a curmudgeon to be content.<br/><br/>Morrison I see as totally different from Moore, though they are often associated together for their &quot;weirdness&quot; factor. Anyone who is just recently being exposed to Morrison via Batman RIP should definitely read something else, as I think it is some of his poorer work. Morrison has a great ability to be weird when the title calls for it, but he also has the ability to be innovative - and not just weird - when he is doing more mainstream work. For instance, The Invisibles and The Filth are extremely bizarre, bizarre reads - but completely appropriate for the goal and audience. On the other hand, his run on Uncanny X-Men, and even more so the amazing work in <a href="http://www.goodreads.com/book/show/22369.All_Star_Superman_Volume_01_All_Star_" title="All Star Superman  Volume 01 (All Star) by Grant Morrison">All Star Superman</a>, are fresh takes on tired and well-worn stories/characters. My point is that Morrison is really dynamic - if you don't like one title he writes, try something else. <br/><br/>Lastly, I have to take issue with the statement that Ennis is &quot;a poor caricature of the angry English writer.&quot; First, I'd say Warren Ellis claims that title long before Ennis would; second, I really enjoy Ennis' work, and he is what he is. That kind of criticism seems analogous to criticizing Sergio Leone because a film didn't have emotional depth or powerful drama; well, he doesn't do those. If you're looking for spaghetti westerns, there is no one finer. ]]></body>
        
    
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