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  <name><![CDATA[Michael Hartford]]></name>
  <user-name><![CDATA[mhartford]]></user-name>
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    <updates type="array">
        <update type="review">
      
  
  
  
    
    	<title>
    		<![CDATA[Michael added 'In The Year Of The Long Division: Stories']]>
    	</title>
  	  	<link>http://www.goodreads.com/review/show/77549704</link>
  	
    	<description>
    		<![CDATA[
    			Michael gave <img alt="3 of 5 stars" class="star" height="15" src="http://www.goodreads.com/images/layout/stars/red_star_3_of_5.gif?1259200097" title="3 of 5 stars" width="75" /> to:	<a href="http://www.goodreads.com/book/show/1616126.In_The_Year_Of_The_Long_Division_Stories" class="bookTitle">In The Year Of The Long Division: Stories (Hardcover)</a>
    			<span class="by">by</span>
    			<a href="http://www.goodreads.com/author/show/748566.Dawn_Raffel" class="authorName">Dawn Raffel</a>
    			<br/>
    			



          
    			  The stories in In the Year of Long Division show the ultimate end of the minimalist impulse: prose becomes poetry, external description subordinated to an internal dialogue, scenes sketched so lightly they become feathery suggestion. It is perhaps no surprise that Raffel calls out her thanks to Gordon Lish at the beginning of her acknowledgements: this is the short story shorn of traditional plot and character as was only hinted at in Raymond Carver’s work.<br/><br/><a rel="nofollow" target="_blank" href="http://michael-hartford.com/blog/?p=735">Full Review</a>
    			
    		]]>
    	</description>
  	
    

    </update>
        <update type="review">
      
  
  
  
    
    	<title>
    		<![CDATA[Michael added 'The Pleasures and Sorrows of Work']]>
    	</title>
  	  	<link>http://www.goodreads.com/review/show/76461715</link>
  	
    	<description>
    		<![CDATA[
    			Michael gave <img alt="3 of 5 stars" class="star" height="15" src="http://www.goodreads.com/images/layout/stars/red_star_3_of_5.gif?1259200097" title="3 of 5 stars" width="75" /> to:	<a href="http://www.goodreads.com/book/show/5293573.The_Pleasures_and_Sorrows_of_Work" class="bookTitle">The Pleasures and Sorrows of Work (Hardcover)</a>
    			<span class="by">by</span>
    			<a href="http://www.goodreads.com/author/show/13199.Alain_de_Botton" class="authorName">Alain de Botton</a>
    			<br/>
    			



          
    			  Equally insightful and exasperating, with a significant dose of aristocratic condescension.<br/><br/>Full review <a rel="nofollow" target="_blank" href="http://michael-hartford.com/blog/?p=729">here</a>
    			
    		]]>
    	</description>
  	
    

    </update>
        <update type="review">
      
  
  
  
    
    	<title>
    		<![CDATA[Michael added 'Voices from the Moon']]>
    	</title>
  	  	<link>http://www.goodreads.com/review/show/73171530</link>
  	
    	<description>
    		<![CDATA[
    			Michael gave <img alt="4 of 5 stars" class="star" height="15" src="http://www.goodreads.com/images/layout/stars/red_star_4_of_5.gif?1259200097" title="4 of 5 stars" width="75" /> to:	<a href="http://www.goodreads.com/book/show/1265840.Voices_from_the_Moon" class="bookTitle">Voices from the Moon (Hardcover)</a>
    			<span class="by">by</span>
    			<a href="http://www.goodreads.com/author/show/1425903.Andre_Dubus" class="authorName">Andre Dubus</a>
    			<br/>
    			



          
    			  I have a theory–thoroughly untested, and probably wrong–that you can identify a novel written by a master of the short story by its use of the close third-person point of view. Where novelist-novelists might choose a more omniscient voice, flitting from consciousness to consciousness, or a point of view limited to the exterior, seeing only what the camera’s eye can pick out, the story-novelist settles into a character’s head and stays a while, letting their thoughts color whole chapters. Hawthorne’s Scarlet Letter comes to mind as such a novel, with its strong interior portraits of Chillingworth and Dimmesdale; and Andre Dubus’ Voices From the Moon is another.<br/><br/><a rel="nofollow" target="_blank" href="http://michael-hartford.com/blog/?p=709">Full review</a>
    			
    		]]>
    	</description>
  	
    

    </update>
        <update type="review">
      
  
  
  
    
    	<title>
    		<![CDATA[Michael added 'Pieces for the Left Hand: Stories']]>
    	</title>
  	  	<link>http://www.goodreads.com/review/show/73012941</link>
  	
    	<description>
    		<![CDATA[
    			Michael gave <img alt="5 of 5 stars" class="star" height="15" src="http://www.goodreads.com/images/layout/stars/red_star_5_of_5.gif?1259200097" title="5 of 5 stars" width="75" /> to:	<a href="http://www.goodreads.com/book/show/6322198.Pieces_for_the_Left_Hand_Stories" class="bookTitle">Pieces for the Left Hand: Stories (Paperback)</a>
    			<span class="by">by</span>
    			<a href="http://www.goodreads.com/author/show/83852.J_Robert_Lennon" class="authorName">J. Robert Lennon</a>
    			<br/>
    			



          
    			  Pieces for the Left Hand&lt;/a&gt; by J. Robert Lennon&lt;/blockquote&gt;The 100 anecdotes collected in Pieces for the Left Hand are loosely held together by a setting (a small upstate New York town and its environs) and a narrative consciousness (an unemployed man who muses on these tales as he takes a daily walk).  All are very brief--none more than three pages--and most have a gnomic or aphoristic quality.  They touch on themes of mistaken identity, the pitfalls of memory, and unanticipated consequences, often refusing to come to a clear resolution.<br/><br/><a rel="nofollow" target="_blank" href="http://michael-hartford.com/blog/?p=704">Full Review</a>
    			
    		]]>
    	</description>
  	
    

    </update>
        <update type="review">
      
  
  
  
    
    	<title>
    		<![CDATA[Michael added 'Remember when we had a doorman?']]>
    	</title>
  	  	<link>http://www.goodreads.com/review/show/72044230</link>
  	
    	<description>
    		<![CDATA[
    			Michael marked as to-read:	<a href="http://www.goodreads.com/book/show/627363.Remember_when_we_had_a_doorman_" class="bookTitle">Remember when we had a doorman? (Unknown Binding)</a>
    			<span class="by">by</span>
    			<a href="http://www.goodreads.com/author/show/339019.Josephine_Lawrence" class="authorName">Josephine Lawrence</a>
    			<br/>
    			

	<span class="userReview">bookshelves: </span>
	
		<a href="http://www.goodreads.com/review/list/1084853?shelf=to-read" class="actionLinkLite">to-read</a>
	
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    		]]>
    	</description>
  	
    

    </update>
        <update type="review">
      
  
  
  
    
    	<title>
    		<![CDATA[Michael added 'Lovecraft Unbound']]>
    	</title>
  	  	<link>http://www.goodreads.com/review/show/70181911</link>
  	
    	<description>
    		<![CDATA[
    			Michael marked as to-read:	<a href="http://www.goodreads.com/book/show/6505011-lovecraft-unbound" class="bookTitle">Lovecraft Unbound (Paperback)</a>
    			<span class="by">by</span>
    			<a href="http://www.goodreads.com/author/show/46138.Ellen_Datlow" class="authorName">Ellen Datlow</a>
    			<br/>
    			

	<span class="userReview">bookshelves: </span>
	
		<a href="http://www.goodreads.com/review/list/1084853?shelf=to-read" class="actionLinkLite">to-read</a>
	
	<br/>



          
    			  
    			
    		]]>
    	</description>
  	
    

    </update>
        <update type="review">
      
  
  
  
    
    	<title>
    		<![CDATA[Michael added 'Troll's Eye View: A Book of Villainous Tales']]>
    	</title>
  	  	<link>http://www.goodreads.com/review/show/70143090</link>
  	
    	<description>
    		<![CDATA[
    			Michael gave <img alt="3 of 5 stars" class="star" height="15" src="http://www.goodreads.com/images/layout/stars/red_star_3_of_5.gif?1259200097" title="3 of 5 stars" width="75" /> to:	<a href="http://www.goodreads.com/book/show/4738393.Troll_s_Eye_View_A_Book_of_Villainous_Tales" class="bookTitle">Troll's Eye View: A Book of Villainous Tales (Hardcover)</a>
    			<span class="by">by</span>
    			<a href="http://www.goodreads.com/author/show/46138.Ellen_Datlow" class="authorName">Ellen Datlow</a>
    			<br/>
    			



          
    			  Troll’s Eye View is a collection of stories revisiting well-known fairy tales–Rumpelstiltskin, Hansel and Gretel, Molly and the Giants–often from the villain’s point of view. It’s a mixed bag of stories: some are slightly skewed re-tellings, some are realistic stories informed by the themes and structures of fairy tales, and some are new tales that add meat to the well-gnawed bones. Some of the stories work well, others don’t quite gel, but in the main, this is a solid little collection.<br/><br/><a rel="nofollow" target="_blank" href="http://michael-hartford.com/blog/?p=684">Full review</a>
    			
    		]]>
    	</description>
  	
    

    </update>
        <update type="review">
      
  
  
  
    
    	<title>
    		<![CDATA[Michael added 'Demons in the Spring']]>
    	</title>
  	  	<link>http://www.goodreads.com/review/show/69786576</link>
  	
    	<description>
    		<![CDATA[
    			Michael gave <img alt="4 of 5 stars" class="star" height="15" src="http://www.goodreads.com/images/layout/stars/red_star_4_of_5.gif?1259200097" title="4 of 5 stars" width="75" /> to:	<a href="http://www.goodreads.com/book/show/2109935.Demons_in_the_Spring" class="bookTitle">Demons in the Spring (Hardcover)</a>
    			<span class="by">by</span>
    			<a href="http://www.goodreads.com/author/show/12851.Joe_Meno" class="authorName">Joe Meno</a>
    			<br/>
    			



          
    			  Joe Meno's Demons in the Spring is filled with wonders: a woman with a city growing inside her chest, an aquarium in decline, a world plunged into darkness by an absent moon, palaces made of ice.  There's a touch of the absurd, and the surreal, with a melancholy haze over many of the stories, but the overall tone is of playfulness and amazement.  It is informed by the logic of dreams, even in the more realistic stories; surrender to the dreams, and you'll be swept into a world spinning just a little out of phase with our own.<br/><br/><a rel="nofollow" target="_blank" href="http://michael-hartford.com/blog/?p=679">Full review</a><br/>
    			
    		]]>
    	</description>
  	
    

    </update>
        <update type="review">
      
  
  
  
    
    	<title>
    		<![CDATA[Michael added 'The View from the Seventh Layer']]>
    	</title>
  	  	<link>http://www.goodreads.com/review/show/69658417</link>
  	
    	<description>
    		<![CDATA[
    			Michael marked as to-read:	<a href="http://www.goodreads.com/book/show/1443836.The_View_from_the_Seventh_Layer" class="bookTitle">The View from the Seventh Layer (Hardcover)</a>
    			<span class="by">by</span>
    			<a href="http://www.goodreads.com/author/show/16967.Kevin_Brockmeier" class="authorName">Kevin Brockmeier</a>
    			<br/>
    			

	<span class="userReview">bookshelves: </span>
	
		<a href="http://www.goodreads.com/review/list/1084853?shelf=to-read" class="actionLinkLite">to-read</a>
	
	<br/>



          
    			  
    			
    		]]>
    	</description>
  	
    

    </update>
        <update type="review">
      
  
  
  
    
    	<title>
    		<![CDATA[Michael added 'The Best American Fantasy 3']]>
    	</title>
  	  	<link>http://www.goodreads.com/review/show/69658410</link>
  	
    	<description>
    		<![CDATA[
    			Michael marked as to-read:	<a href="http://www.goodreads.com/book/show/6535214-the-best-american-fantasy-3" class="bookTitle">The Best American Fantasy 3 (Paperback)</a>
    			<span class="by">by</span>
    			<a href="http://www.goodreads.com/author/show/16967.Kevin_Brockmeier" class="authorName">Kevin Brockmeier</a>
    			<br/>
    			

	<span class="userReview">bookshelves: </span>
	
		<a href="http://www.goodreads.com/review/list/1084853?shelf=to-read" class="actionLinkLite">to-read</a>
	
	<br/>



          
    			  
    			
    		]]>
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