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Peak: Secrets fro...
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  (page 84 of 336)
""Any relatively complicated activity requires holding more information in our heads than short-term memory allows, so we are always building mental representations of one sort or another without being aware of it." Jun 15, 2016 10:06AM


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The Sellout by Paul Beatty
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Helping Children Succeed by Paul Tough
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Deep Work by Cal Newport
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Nicholas is on page 84 of 336 of Peak: "Any relatively complicated activity requires holding more information in our heads than short-term memory allows, so we are always building mental representations of one sort or another without being aware of it.
Peak by K. Anders Ericsson
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Double Down by Mark Halperin
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On Writing Well by William Zinsser
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The Wurms of Blearmouth by Steven Erikson
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These novellas keep getting more absurd....and I like them. Immediately after the events of The Lees of Laughter's End, our pair of necromancers and their faithful manservant find themselves washed up on a desolate beach in probably the most desolate ...more
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Nataliya added a status update: I feel really sad comparing the bookish, clean and streamlined "old" GR homepage to the cluttered, visually noisy and promotion-heavy new "beta" homepage that to me resembles a MySpace page of an overexcitable 13-year-old girl back in the day. Whoever came up with the thought that the new look is modern or clean needs a serious checkup.
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More of Nicholas's books…
Donna Tartt
“I look at the blanked-out faces of the other passengers--hoisting their briefcases, their backpacks, shuffling to disembark--and I think of what Hobie said: beauty alters the grain of reality. And I keep thinking too of the more conventional wisdom: namely, that the pursuit of pure beauty is a trap, a fast track to bitterness and sorrow, that beauty has to be wedded to something more meaningful.

Only what is that thing? Why am I made the way I am? Why do I care about all the wrong things, and nothing at all for the right ones? Or, to tip it another way: how can I see so clearly that everything I love or care about is illusion, and yet--for me, anyway--all that's worth living for lies in that charm?

A great sorrow, and one that I am only beginning to understand: we don't get to choose our own hearts. We can't make ourselves want what's good for us or what's good for other people. We don't get to choose the people we are.

Because--isn't it drilled into us constantly, from childhood on, an unquestioned platitude in the culture--? From William Blake to Lady Gaga, from Rousseau to Rumi to Tosca to Mister Rogers, it's a curiously uniform message, accepted from high to low: when in doubt, what to do? How do we know what's right for us? Every shrink, every career counselor, every Disney princess knows the answer: "Be yourself." "Follow your heart."

Only here's what I really, really want someone to explain to me. What if one happens to be possessed of a heart that can't be trusted--? What if the heart, for its own unfathomable reasons, leads one willfully and in a cloud of unspeakable radiance away from health, domesticity, civic responsibility and strong social connections and all the blandly-held common virtues and instead straight toward a beautiful flare of ruin, self-immolation, disaster?...If your deepest self is singing and coaxing you straight toward the bonfire, is it better to turn away? Stop your ears with wax? Ignore all the perverse glory your heart is screaming at you? Set yourself on the course that will lead you dutifully towards the norm, reasonable hours and regular medical check-ups, stable relationships and steady career advancement the New York Times and brunch on Sunday, all with the promise of being somehow a better person? it better to throw yourself head first and laughing into the holy rage calling your name?”
Donna Tartt, The Goldfinch

Cormac McCarthy
“Men speak of blind destiny, a thing without scheme or purpose. But what sort of destiny is that? Each act in this world from which there can be no turning back has before it another, and it another yet. In a vast and endless net. Men imagine that the choices before them are theirs to make. But we are free to act only upon what is given. Choice is lost in the maze of generations and each act in that maze is itself an enslavement for it voids every alternative and binds one ever more tightly into the constraints that make a life. If the dead man could have forgiven his enemy for whatever wrong was done to him all would have been otherwise. Did the son set out to avenge his father? Did the dead man sacrifice his son? Our plans are predicated upon a future unknown to us. The world takes its form hourly by a weighing of things at hand, and while we may seek to puzzle out that form we have no way to do so. We have only God's law, and the wisdom to follow it if we will.”
Cormac McCarthy, The Crossing

Cormac McCarthy
“If we do not know ourselves in the waking world, what chance in dreams?”
Cormac McCarthy, Cities of the Plain

Benjamin Dancer
“No amount of precaution can alter the fact that life is precarious. When the inevitable happens, you can accept the damage or look for someone to blame...Caution itself can erode a culture. Once people start believing they can be safe, they start to believe they should be safe.”
Benjamin Dancer, Patriarch Run

Cormac McCarthy
“It's not about knowin where you are. It's about thinkin you got there without takin anything with you. Your notions about startin over. Or anybody's. You don't start over. That's what it's about. Ever step you take is forever. You can't make it go away. None of it. You understand what I'm sayin?

You think when you wake up in the mornin yesterday don't count. But yesterday is all that does count. What else is there? Your life is made out of the days it's made out of. Nothin else. You might think you could run away and change your name and I don't know what all. Start over. And then one mornin you wake up and look at the ceilin and guess who's layin there?”
Cormac McCarthy, No Country For Old Men

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