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    <name><![CDATA[Laura]]></name>
    <location><![CDATA[Sunnyside, NY]]></location>        
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  <id type="integer">2082253</id>
  <isbn>0977669343</isbn>
  <isbn13>9780977669349</isbn13>
  <ratings_count type="integer">11</ratings_count>
  <text_reviews_count type="integer">3</text_reviews_count>
  <title>Ryan Seacrest is Famous</title>
  <average_rating></average_rating>
  <link>http://www.goodreads.com/book/show/2082253.Ryan_Seacrest_is_Famous</link>
<author>
  <id type="integer">944922</id>
  <name>Dave Housley</name>
  <ratings_count type="integer">11</ratings_count>
  <text_reviews_count type="integer">3</text_reviews_count>
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    <rating>3</rating>
  <votes>1</votes>
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  <read_at>Fri Dec 14 00:00:00 -0800 2007</read_at>
  <date_added>Tue Nov 27 12:48:22 -0800 2007</date_added>
  <date_updated>Tue Dec 04 17:55:32 -0800 2007</date_updated>
  <read_count></read_count>
    <body><![CDATA[If we were able to give half stars, this book would rate a perfect two-and-one-half. <br/><br/>Housley has a knack for strong narrative, but he seems to be stuck in a well-worn groove. He takes on a lot of awfully obvious targets -- reality TV, superannuated celebrities, tabloid regulars, the culture of celebrity, and so forth -- and when your topics have been chewed over by a couple dozen talented young writers like Chuck Klosterman, Douglas Coupland, George Saunders, et al., you'd better have a startling way to approach them. But although I spent most of every story waiting for an original take, Housley never seemed to offer anything especially fresh. The lack of originality is most evident in <em>Namaste, Bitches</em> (believe me, the title is the best thing about it), a tired account of a <em>Bachelor</em>-esque reality show and the woman who tries to game the system. Housley toils mightily to highlight the irony of it all, but really, do we need to read another one of these stories that does nothing much other than roll its eyes at the notion of inappropriate product placement?<br/><br/>Housley is by far at his best when he just writes a story and dispenses with the herculean efforts at social commentary. For example, the concept of <em>On Sunday Will be Clown</em> isn't particularly original -- it's yet another pathetic clown story -- but handled with a pretty clever gimmick and a light touch. (I will confess that I have a soft spot for pathetic clown stories.) The best story in the collection is probably <em>Are You Street or Popcorn?</em>, an account of a teenage boy's realization that being an adolescent dickhead isn't the same thing as being a social critic.<br/><br/>Nevertheless, I'm looking forward to reading more of Housley's work and hoping that he finds his own voice.]]></body>
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