Russell's Reviews > Angels & Demons

Angels & Demons by Dan Brown
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Jun 09, 09

Read in May, 2007

This was Brown's book before the infamous "The Da Vinci Code." In many ways, this book was like a rough draft for "The Da Vinci Code", same character Langdon, same other characters, same basic start, same concepts, same bad research passed off as fact, same trick of having nearly every chapter end in cliffhanger, the same in so many ways.
Sadly, I think he did a better job the first time around.

I recommend you have a computer handy so you look up what Brown is talking about, and that way you can have a better idea of what it really looks like. Added bonus too, you can have a laugh over how Brown had to forced it into his world to make the plot somewhat cohesive.
Look, if you want to write fiction, do so but please own up to it being fiction! Trying to pass off the Ecstasy of St. Theresa as being so pornographic in nature that the Vatican had it exiled to a small church, is, well, wrong as wrong as gets.
Brown throws out a number of stunningly stupid statements, like asserting that since Christianity is syncretic, God-eating (the Holy Communion) was taken from the Aztecs. How, Brown never explains, since the practice was established by Christ himself during the Last Supper around 33 A.D. and the Aztecs didn't show up until 1248 A.D. I figure Brown left it open so he could write some sort of time travel book, involving a long lost secret that the Aztecs built their pyramids as sort of a dry run, traveled back in time and were actually behind the pyramids in Egypt. And, of course, were the sect that created the Christ-myth due to a poorly thought out plot.

Thanks to the internet, you too can have fun poking holes in the book. See, for example, CERN's site on the book. And if that doesn't do it for you, here's a good site looking into all the errors.

A sample from the last site:

"While walking around the CERN campus, Langdon notices a marble column incorrectly labeled Ionic. Langdon points the mistake out to Kohler: "That column isn't Ionic. Ionic columns are uniform in width. That one's tapered. It's a Doric -- the Greek counterpart." (26) The problem is that Ionic columns are themselves Greek. The three orders of classical columns, Doric, Ionic, and Corinthian, are all Greek in origin, so it's impossible for the Doric order to the be the Greek counterpart of the Ionic. It's also much easier to distinguish the Doric from the Ionic based on their capitals; Doric columns have plain capitals, while Ionic columns are topped by volutes or scrolls."

That irked me when I read that passage, because not only is a poor joke, it doesn't make sense!

Let's ignore the bad, the erroneous, and the ugly, and you have decent little thriller zipping around Rome looking at art. Of course, it has to zip along, slow down long enough to think about it, and a host of questions start to swarm up. Like how Langdon has a whole theory on who the bad guy is and how Langdon was involved in these rather preposterous circumstances. Of course, the premise is wrong, so that that whole house of cards fall down. Not bad in of itself, but then Brown doesn't ever provide any reason Langdon was involved after that.

Of course, you aren't supposed to notice while reading it, and preferably not afterwards, either. Doing so reveals how badly Brown writes. He can't provide a single decent reason why his hero is there, aside from a vague "Because" and a shrug.

I'm envious of Brown, he can't write well, has plot holes big enough to drive the Popemobile through, bad research and "facts" that aren't, and yet still is entertaining, popular and, most galling perhaps, published.
Caveat lector.
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Comments (showing 1-20 of 20) (20 new)

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Russell Addendum:

I have deleted 2 comments so far that have insulted myself and my intelligence for my review.

I'm going to have to add that this book must appeal to the easily excitable.

Jacqui You might want to try reading it again, as the ONLY character that is the same is Robert Langdon. Female lead is different, as are all other characters. While the story does relate to religion, The DaVinci Code and Angels & Demons are two VERY different stories. Keep in mind that our character, Robert Langon IS an expert Religious Symbologist, so it only makes sense that both books would be about religious history. Maybe the comments you deleted that insulted your intelligence were there because you so obviously either haven't read this book, or because you read it and just couldn't understand it because it was too deep for you. This story is very deep, very detail oriented. Maybe you should just try to stick to more simple reading........or you could just see the movie that comes out in May, maybe that would make it easier for you.....IT'S FICTION! Get over it! If you really feel like you need more "reality" to your fiction, maybe just stick with biographies. Fiction is meant to entertain, I was highly entertained by this book. Just because you weren't doesn't mean that it's a terrible book. There's something for everyone, sounds to me like you need to find your "something", cuz fiction isn't it!

Russell Jacqui,

Thank you for proving my point. Since your comment was less offensive than the two I deleted I shall leave it in place as an example of what sort of response my simple review has engendered. And, aside from this statement, I'm not going to respond to your ad hominems.

I don't want to get into some sort of 'debate' concerning the book, but I would like defend my previous statement and mention that both "Angels and Demons" and "The Da Vinci Code" share far more than one character in common. Both villains were working behind the scenes, well entrenched to do the most harm, seemingly all powerful and all knowing, with strange assassins as henchmen. The men murdered by the assassins had the same relationship to the two love interests, the father figure. Speaking of the love interests, they played out exactly the same with Langdon, and both plots had them in a race to protect a secret that would destroy the Church, etc, etc. This in itself doesn't make a bad book, it's the poor research, hamfisted plot exposition and all round silliness that made it a bad book. Or, rather, a book that is good for a quick read romping through Rome whilst on a vacation, but a very bad book compared to actual literature or books that take on the issues of science and religion in a serious manner. And yes, I'm fully cognizant that the book is fiction. Brown attempts to blur the lines, which can be thrilling, but he does it so poorly it grated on me.

I did like the ambigrams in the book and for more fun with ambigrams, I suggest reading "Godel, Escher and Bach" by Douglas Hofstadter.

Dathan My only complaint about your review is that the book is intended to be fiction -- "bad research passed off as fact" is only a problem if you read it expecting fact. I felt Brown did a very good job with the story. Anne Rice takes a great deal of liberty with mythology, twisting it to her own ends, and doing it well -- no complaints here. Crichton takes real events, real organizations, and sometimes real people, and develops complicated conspiracies around them that are almost certainly entirely contrived. But again, it's done well, and the story benefits from the few grains of truth that are interwoven. For people ignorant of the details, or who just want to see how Brown's mind pieces together these conspiracies he develops, it's an enjoyable read. By encouraging other readers to read it with a computer open to look up the truth, you're entirely missing the point of the book, and encouraging them to ruin for themselves what many thousands of readers have otherwise found to be a very enjoyable story.

Russell Dathan,

Thank you for your polite comment. I'm afraid we'll disagree on this point. Anyone who starts their book with an Author's Note stating "References to all works of art, tombs, tunnels, and architecture in Rome are entirely factual (as are their exact locations)." but then on a number of occasions fails to provide factual information but rather changes things to fit the plot, well, that irritates me. Ergo, my review!

I'm sure the other authors you mentioned have been able to write books that entertain while mixing fact with fiction, but my complaint is with Mr. Brown's book, not theirs.

But be cheered, knowing all those readers will gladly accept that Doric columns are Greek counterparts to Greek Iconic columns and there isn't a thing my little review can do to persuade them otherwise :)

message 6: by Natalie (last edited May 16, 2009 07:39PM) (new) - rated it 4 stars

Natalie my only comment to you is that people believe different things about the Holy Communion....i believe i am right in saying that the Catholics believe that when you eat the bread and drink the wine you are ACTUALLY partaking of Jesus body and blood. I was raised Mennonite and to them it is a SYMBOL of Jesus's body and blood....when Jesus introduced the practice to the disciples it had always been my belief that he introduced it as a symbol as well....there in may lie the difference of what you were pointing out....a mere difference of for the rest of your are entitled to your opinion

Russell Natalie,

I believe you are correct in the Catholic beliefs of the Holy Communion, I'm not Catholic so I cannot confirm if that is Church doctrine or not. However, that doesn't address Brown's bizarre notion that, from the book, "The practice of 'god-eating' - that is, Holy Communion - was borrowed from the Aztecs."

It's a chronological and physical impossibility. That was my complaint, not the idea of the Holy Communion as consumption of the body and blood of Christ.

"you are entitled to your opinion" Thank you, very gracious of you for that.

Chelsea Heath I didn't enjoy this book incredibly, I gave it two stars, but I would like to point out that it is fiction. He is exaggerating on things that may or may not have happened in history. If nothing else, it's somewhat creative.

message 9: by Paul (new)

 Paul "The practice of 'god-eating' - that is, Holy Communion - was borrowed from the Aztecs."

I had to "Lol" at this

This book sounds so ridiculous I may want to give it a go (or a very short skim. That is... maybe- or probably not) great review by the way!

message 10: by Simone (new)

Simone Ramone Thanks for the heads up, you've spared me a shitty week.

message 11: by Ivan (new) - rated it 2 stars

Ivan Dear Russel, you have nailed it. I'm fortunate enough to be a fast reader and to have borrowed, not bought, Dan Brown's books every single time:)

Russell Thanks for the comment, Ivan. Borrowing does seem to be the best option here :)

message 13: by Jada (new) - rated it 5 stars

Jada Stuart He does give a reason for his hero being there because that's the point! It leaves the reader with debatable questions: Was it God's will or coincidence? A miracle or a insane plot by a mad man (the camerlengo) that fell apart?

I'm not at all religious but even I got that. As for the mistakes I can't say because I haven't researched into it. But some of the meanings might be debatable. Take for example, The Ecstasy of St. Thersea. You only gave us a Wikipedia source. It's a piece of artwork and many people have different interpretations of it. Plus, Langdon was a Illuminati symbologist. I'm sure he had read his fare share of conspiracy theories and maybe that is one of his flaws. How he interpreted the history of the Vatician was a little different.
Despite mistakes, it's a great story.

Russell Thanks for the comment Jada, glad you enjoyed the book. I, clearly, did not.

message 15: by William (new)

William Ainsworth Good fiction is always based on fact. Writers take great pains with facts. But this is not great fiction: it is tripe. It is as badly written as a book can be. It is to fiction what pop is to music.

Russell Thank you for your comment, William. I agree, it's pop tripe :)

Alice This is one of my favorite books even though I must admit I read it when I was probably around 14yo. I personally really enjoy all the cliffhangers and symbols etc... And since I was quite young when I read it I didn't care to look up the facts but as many said before it is fiction so it obviously doesn't matter to me :)

Of course you are completely entitled to your opinion (imagine how boring the world would be if everyone had the same tastes?!) but I can not seem to understand why the non exactitude of the facts bothered you so much (this is not sarcasm or an attack against your opinion, I am honestly just wondering)... If people aren't smart enough to check facts before believing them, it's their loss. Plus, I think Brown only said that the places and art pieces were real, not all the facts (please correct me if I'm wrong).

Russell Alice, I'm glad you enjoyed the book, as I said in my review, it's entertaining and zippy.

You might have missed this in the comments, but Brown, in his Author's Note, stated "References to all works of art, tombs, tunnels, and architecture in Rome are entirely factual (as are their exact locations)."

Which, with some research and a map, an alert reader can figure out that is a fabrication.

I was bothered not so much about the "non exactitude of the facts" (pray tell, how can something be a fact and not exact?) but that it was a bait and switch. Since it's been about 6 years, my memory is more than a little hazy, however my overall impression was Brown set up the reader by saying this was factually sound, then merrily pulled the rug out whenever the facts got in the way of his contrived plot.

I really could care less how many times people mention to me that this is fiction. Of course it is; where the problem lies is in the gap between Brown's assertion in his Author's Note and the actual facts in the text. Had he merely said this was loosely based in reality, my review would have been considerably shorter. But he didn't, and so my review isn't. And I cannot help it if people are fundamentally confused between the different types of fiction, then try to make it my problem. I do find it humorous, though.

message 19: by Fifi (new) - rated it 4 stars

Fifi Sutanto Wait, the author's not was only that the works of art, tombs and tunnels that are entirely factual. The rest of them are debatable whether it is factual or not. And yes, you keep saying all the things he wrote on the book contradict the fact, while what he means is based on facts is only the work of art, tombs and tunnels such as the Michelangelo's something? I don't really remember what's the name of it since I'm not a big fan of art, but Brown never stated that other than the work of art, tombs and tunnels are real or not. He is basically not wrong at all.

Russell Let me repeat myself from an earlier comment: "Anyone who starts their book with an Author's Note stating "References to all works of art, tombs, tunnels, and architecture in Rome are entirely factual (as are their exact locations)." but then on a number of occasions fails to provide factual information but rather changes things to fit the plot, well, that irritates me."

Basically, he's wrong and provably so, since he more than once changed the facts about a particular piece of art or the location of architectural element, which is in contrast to your assertion you made out of self admitted ignorance to the art in question and the story elements in the book.

But these sort of responses provide a delightful source of entertainment. It's been almost seven years since I posted this review, and yet it still draws comments of this caliber. Truly, a gift that keeps on giving!

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