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    <name><![CDATA[Jason]]></name>
    <location><![CDATA[Chicago, IL]]></location>        
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  <id type="integer">1483228</id>
  <isbn>1594201269</isbn>
  <isbn13>9781594201264</isbn13>
  <ratings_count type="integer">129</ratings_count>
  <text_reviews_count type="integer">36</text_reviews_count>
  <title>The Chess Machine: A Novel</title>
  <average_rating></average_rating>
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  <link>http://www.goodreads.com/book/show/1483228.The_Chess_Machine_A_Novel</link>
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  <id type="integer">694145</id>
  <name>Robert L&#246;hr</name>
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    <rating>4</rating>
  <votes>2</votes>
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  <read_at>Mon Oct 01 00:00:00 -0700 2007</read_at>
  <date_added>Sun Oct 14 10:08:19 -0700 2007</date_added>
  <date_updated>Sun Oct 14 10:09:51 -0700 2007</date_updated>
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    <body><![CDATA[(The much longer full review can be found at the Chicago Center for Literature and Photography [cclapcenter.com].)<br/><br/>As regular readers know, one of the topics that often comes up here at the CCLaP website is of the slippery line between what we commonly refer to as &quot;mainstream&quot; literature versus &quot;genre;&quot; of not only where that line should be drawn, but of how we look at books differently based on what side it falls, not to mention the different smaller lines that can be drawn once you're on one side or another. For example, I'm a general fan of the science-fiction genre, as are many of CCLaP's readers; but then within sci-fi, I myself am a particular fan of a subgenre known as &quot;steampunk.&quot; A play on the '80s sci-fi term &quot;cyberpunk,&quot; it is basically a mix of speculative fiction and Victorian-era (or older) historical fiction, running with science-fictiony concepts based on real events from the time period; for example, what the world would've been like if computers had actually been invented back then instead of the 1950s, which actually did almost happen in real life except for the prototypes' prohibitive costs and enormous space requirements back then. At its aesthetic heart, steampunk is basically the attempt to take various high-tech concepts from our real present day, and &quot;retrofit&quot; them into beautifully-designed wood and metal forms, to imagine a world where robots work off of burning coal and double as exquisite objets de art, all for the good of our Glorious Queen and Her Empire.<br/><br/>That's why I was so excited, after all, to pick up German writer Robert Lohr's first novel, the very smart and fun action adventure <em>The Chess Machine</em>; because it too can be technically counted as a steampunk novel, although in this case is set around a hundred years before most of the genre's other examples, or in other words the late 1700s. And that's because, interestingly enough, the core of the novel's storyline is based around an actual object with shady origins: an actual &quot;Mechanical Turk&quot; chess-playing automaton, in reality an elaborate hoax, well-known as a touring historical item in the 1800s but with society having collectively forgotten its beginnings. Lohr uses this lost origin to his advantage, taking the object itself and moving backwards in time creatively to imagine a colorful and danger-filled Vienna, when a cloudy haze existed between magic and science and where lots of hucksters were ready to step in and take advantage of it. The result is a delightfully exciting story, one that has more potential mainstream appeal than other steampunk novels because of it being rooted in reality; it is a book sure to thrill not only nerdy hard-edged sci-fi fans such as myself, but also those who love the mystery genre and straight-ahead historical fiction as well. There's a reason, after all, that the book rights have already been sold in twenty countries, and it wouldn't surprise me to hear of a major Hollywood deal at any moment too.<br/><br/>So as mentioned, probably the best place to start a discussion of <em>The Chess Machine</em> is...]]></body>
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