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    <name><![CDATA[Moxysox]]></name>
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  <id type="integer">152561</id>
  <isbn>1559701382</isbn>
  <isbn13>9781559701389</isbn13>
  <ratings_count type="integer">21</ratings_count>
  <text_reviews_count type="integer">3</text_reviews_count>
  <title>Marcel Duchamp: Appearance Stripped Bare</title>
  <average_rating></average_rating>
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  <id type="integer">7469</id>
  <name>Octavio Paz</name>
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    <rating>4</rating>
  <votes>0</votes>
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  <read_at>Wed Oct 28 09:08:30 -0700 2009</read_at>
  <date_added>Mon Oct 12 12:33:40 -0700 2009</date_added>
  <date_updated>Wed Nov 25 05:46:21 -0800 2009</date_updated>
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    <body><![CDATA[Duchamp was not as enamoured of machines as most of his contemporaries: Machines are great producers of waste, and the refuse they leave increases in geometric proportion to their productive capacity.<br/>How prescient. A lone voice, that now sounds... too loud.<br/><br/>What is also particularly interesting is how Duchamp's thinking on art/anti art, on readymades, prefigures Baudrillard's ideas on The Simulacra.<br/><br/>Altogether a fascinating book: Paz has created a piece of art out of art.<br/>Stimulating.]]></body>
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