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    <name><![CDATA[Matthew]]></name>
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  <id type="integer">6096464</id>
  <isbn>1933633786</isbn>
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  <title>
    <![CDATA[Shoplifting from American Apparel]]>
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    <![CDATA[&quot;Writing about being an artist makes most contemporary artists self-conscious, squeamish and arch. Lin, however, appears to be comfortable, even earnest, when his characters try to describe their aspirations...purposefully raw.&quot;<br/> - <strong>Time Out New York</strong><br/><br/>&quot;You don't think, 'I like this guy,' or 'I really dislike this guy.' You think, 'huh.' [...] Camus' The Stranger or 'sociopath?'&quot;<br/> - <strong>Los Angeles Times</strong><br/><br/>“Tao Lin's sly, forlorn, deadpan humor jumps off the page. […] will delight fans of everyone from Mark Twain to Michelle Tea.”<br/> – <strong>San Francisco Chronicle</strong><br/><br/>“Scathingly funny for being so spare […] just might be the future of literature.”<br/> – <strong>Austin Chronicle</strong><br/><br/>&quot;Candid...full of melancholy, tension, hilarity [...] [the characters'] despondence is unsettling.<br/> - <strong>Boston Phoenix</strong><br/><br/>“A fragile, elusive little book.”<br/> – <strong>Village Voice</strong><br/><br/>&quot;Very funny.&quot;<br/> - <strong>USA Today's Pop Candy</strong><br/><br/>&quot;Honest in the sense that these characters inhabit a real world at a real time.&quot;<br/> - <strong>Anthem Magazine</strong><br/><br/>&quot;Draws its quiet force from the implication that, if an existential crisis doesn't destroy you, that only means it will last a month, a year, a lifetime.&quot;<br/> - <strong>Yale Daily News</strong>]]>
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        <name><![CDATA[Tao Lin]]></name>
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    <average_rating>3.69</average_rating>
    <ratings_count>1464</ratings_count>
    <text_reviews_count>326</text_reviews_count>
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  </authors>  <published>2009</published>
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  <date_added>Fri Oct 09 01:35:14 -0700 2009</date_added>
  <date_updated>Fri Oct 09 01:35:14 -0700 2009</date_updated>
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