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  <id type="integer">6953046</id>
  <isbn>1847721109</isbn>
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  <title>Trust: Photographs of Jim Marshall</title>
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  <name>Dave Brolan</name>
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    <rating>5</rating>
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  <read_at>Sat Oct 03 00:00:00 -0700 2009</read_at>
  <date_added>Wed Oct 07 11:51:10 -0700 2009</date_added>
  <date_updated>Wed Oct 07 11:54:24 -0700 2009</date_updated>
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    <body><![CDATA[A recurrent subtext of voyeurism runs through <em>Trust: Photographs of Jim Marshall</em>. The connotation isn’t seedy or even surreptitious, mind you, but rather it surfaces in how its subjects often seem oblivious to being so intently observed, let alone professionally photographed.<br/><br/>Marshall's own annotations accompany each photo, lending insight and endearing reminiscences. And while assorted portraits fill out the pages, the shots that capture artists in action or otherwise unaware are the ones that resonate most.<br/><br/>Such is how he caught artists at their most candid and in their own element, like Miles Davis looking especially pensive at the Isle of Wight, Mahalia Jackson gloriously wailing away at Carnegie Hall, and the Beatles chatting with journalist Ralph Gleason before taking the stage at San Francisco’s Candlestick Park for what would turn out to be the band’s live farewell. <br/><br/>In <em>Trust: Photographs of Jim Marshall</em> are images of mortals living up to — or contending with — their own epic reputations, their own demons, and their own brilliant myths. It's a fantastic collection]]></body>
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