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    <name><![CDATA[Lala]]></name>
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  <id type="integer">1061624</id>
  <isbn>0520218000</isbn>
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  <title>
    <![CDATA[Workin' Man Blues: Country Music in California]]>
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  <link>http://www.goodreads.com/book/show/1061624.Workin_Man_Blues_Country_Music_in_California</link>
  <average_rating>3.43</average_rating>
  <ratings_count>7</ratings_count>
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    <![CDATA[California has been fertile ground for country music  since the 1920s, nurturing a multitude of talents from Gene Autry to  Glen Campbell, Rose Maddox to Barbara Mandrell, Buck Owens to Merle  Haggard. In this affectionate homage to California's place in country  music's history, Gerald Haslam surveys the Golden State's  contributions to what is today the most popular music in America. At  the same time he illuminates the lives of the white, working-class men  and women who migrated to California from the Dust Bowl, the  Hoovervilles, and all the other locales where they had been turned  out, shut down, or otherwise told to move on.    <p>Haslam's roots go back to Oildale, in Californias central  valley, where he first discovered the passion for country music that  infuses <em>Workin' Man Blues</em>. As he traces the Hollywood singing  cowboys, Bakersfield honky-tonks, western-swing dance halls,  &quot;hillbilly&quot; radio shows, and crossover styles from blues and folk  music that also have California roots, he shows how country music  offered a kind of cultural comfort to its listeners, whether they were  oil field roustabouts or hashslingers.    <p> Haslam analyzes the effects on country music of population shifts,  wartime prosperity, the changes in gender roles, music industry  economics, and television. He also challenges the assumption that  Nashville has always been country music's hometown and Grand Ole Opry  its principal venue. The soul of traditional country remains  romantically rural, southern, and white, he says, but it is also the  anthem of the underdog, which may explain why California plays so  vital a part in its heritage: California is where people reinvent  themselves, just as country music has reinvented itself since the  first Dust Bowl migrants arrived, bringing their songs and heartaches  with them.    <p>&quot;<em>Workin' Man Blues</em> is possibly the most brilliantly astute and  thorough examination ever written about country music in California  and the impact it has had in our lives and on our culture. I'm  extremely flattered to be even mentioned in such august  company.&quot; --Dwight Yoakam, Singer, Songwriter    <p>&quot;With all the pathos of a Rose Maddox ballad and more edges than a  Merle Haggard song, Haslam has spun together the stories of the  artists who have made California part of country music and country  music part of California.&quot;  --James Gregory, author of <em>American  Exodus: The Dust Bowl Migration and Okie Culture in California</em>    <p>&quot;This book clears new ground in both the history of music and American  ethnicity. As gorgeously detailed as any shirt worn by a Rhinestone  Cow-boy, there's no other book like it.&quot;  --Kevin Starr, State  Librarian of California</p></p></p></p></p>]]>
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    <id>234798</id>
        <name><![CDATA[Gerald W. Haslam]]></name>
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    <average_rating>3.50</average_rating>
    <ratings_count>30</ratings_count>
    <text_reviews_count>4</text_reviews_count>
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  </authors>  <published>1999</published>
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  <date_added>Wed Oct 03 13:49:59 -0700 2007</date_added>
  <date_updated>Wed Oct 03 13:49:59 -0700 2007</date_updated>
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