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    <name><![CDATA[Jesse]]></name>
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  <id type="integer">6672088</id>
  <isbn>0393069257</isbn>
  <isbn13>9780393069259</isbn13>
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  <title>The Anti-Communist Manifestos: Four Books That Shaped the Cold War</title>
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  <name>John V. Fleming</name>
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    <rating>4</rating>
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  <read_at>Sun Aug 23 00:00:00 -0700 2009</read_at>
  <date_added>Sun Aug 23 22:52:53 -0700 2009</date_added>
  <date_updated>Sun Aug 23 23:00:49 -0700 2009</date_updated>
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    <body><![CDATA[Fascinating stuff. I've read a ton in the literature of this period, and Fleming came up with all kinds of stuff I'd never heard of, including some major best-sellers from the late 30s/early 40s and some exposes I'd like to read as well. A medievalist by trade, Fleming here breaks form (he's retired, he notes in an afterword, and decided to follow his own urgings to his kids to try new things) and considers what he terms the most important ex-Communist exposes of the 40s and early 50s. Most people have heard of Koestler's <em>Darkness at Noon</em>, which I haven't read since high school, but which he made me want to pick up and perhaps teach, and possibly Chambers' <em>Witness</em>, which he argues, convincingly, is a theologically serious and literarily successful creation that is also quite entertaining in its writerly flourishes and character sketches. (The subject is also taken un in Susan Jacoby's annoyingly breezy book on the case, though it does make the for me useful point that the discussion is <strong>over</strong>, even lefties like Maurice Isserman having said so.) The other two books I'd never heard of, though at least one of them sounds pretty interesting as well--if, at 750 pages, loong. The whole thing is witty, uncommonly intelligent in its analysis, engaging in its recreation of the literary worlds and battles sketched here, and sometimes very funny. Highly recommended.]]></body>
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