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    <name><![CDATA[Jesse]]></name>
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  <id type="integer">2479455</id>
  <isbn>0822341123</isbn>
  <isbn13>9780822341123</isbn13>
  <ratings_count type="integer">4</ratings_count>
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  <title>Rumba Rules: The Politics of Dance Music in Mobutus Zaire</title>
  <average_rating></average_rating>
  <link>http://www.goodreads.com/book/show/2479455.Rumba_Rules_The_Politics_of_Dance_Music_in_Mobutus_Zaire</link>
<author>
  <id type="integer">1101498</id>
  <name>Bob W. White</name>
  <ratings_count type="integer">4</ratings_count>
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    <rating>3</rating>
  <votes>0</votes>
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  <read_at>Wed Jul 01 00:00:00 -0700 2009</read_at>
  <date_added>Tue Aug 04 17:16:40 -0700 2009</date_added>
  <date_updated>Tue Aug 04 17:25:52 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Often fascinating, especially when White joins a working band and plays some shows. He doesn't strike me as all that well-versed a music guy, frankly: he talks about how bandleaders are autocratic Big Men, which mimics the logic of Mobutu's regime, which of course explains, um, James Brown. And to say that taking all these titles like &quot;general&quot; shows some sort of imbibing of authoritarian thought patterns...as Robert Christgau <a rel="nofollow" target="_blank" href="http://www.barnesandnoble.com/bn-review/note.asp?note=23372184&cds2Pid=22471">points out</a>, that's kind of common elsewhere, too. But there is a ton of fascinating stuff here about how soukous bands work in the Congo these days, particularly <em>libanga</em>, or commercialized mentions in songs: for a mere $1000, you could get a whole song named after you, or get your name &quot;shouted&quot; for a little less. (One song has 110 mentions.) Jill Sobule, I think it was, sold mentions on her last album, but this goes far beyond that.]]></body>
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