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    <name><![CDATA[Mo]]></name>
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  <id type="integer">1415226</id>
  <isbn>0888012802</isbn>
  <isbn13>9780888012807</isbn13>
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  <title>
    <![CDATA[Kilter 55]]>
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  <average_rating>3.80</average_rating>
  <ratings_count>5</ratings_count>
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    <![CDATA[At five pages, &quot;Raising the Sparks&quot; is the longest piece in <em>Kilter</em>, John Gould's second collection of extremely short stories (which was a surprise Giller Prize nominee). But with his command of language and eye for the minutiae of relationships, the Victoria-based writer doesn't need more than a few lines to capture a character or relationship or moment. &quot;In Translation,&quot; which takes the form of a dialogue between a man and a woman reading in bed, follows each spoken line with its actual meaning. &quot;'What's it about, though, Marie-Claire?' I say, meaning, <em>After all these years, you know, the sound of your name still makes little purple blossoms start popping through my scalp.</em>&quot; In &quot;Sunday Morning&quot; the narrator describes her boyfriend as saying &quot;God&quot; &quot;the way my grandma says 'email.'&quot; Some of the stories in <em>Kilter</em> are exceedingly clever in format. &quot;Dear Ann,&quot; for instance, is written as a letter to an advice columnist about a troubled relationship between a Kabbalist and an alchemist, followed by the columnist's hilariously off-the-mark response. In &quot;Password,&quot; a woman searches for the forgotten password that will unlock a computer document--innocuously titled &quot;Mom.doc&quot;--detailing an erotic dream. In &quot;Dust,&quot; an argumentative conversation over classical literary allusions gradually reveals itself to be a telephone call from a potential suicide to a prevention line. <p>  But the stories in this rewarding and revelatory collection are never simply exercises or literary devices. Gould's raw material is the dynamic between men and women--how we go from being strangers to friends to lovers and back again--as well as the transformative powers of mortality. More than a few terminally ill people populate these stories. Underlying many of these precise, illuminating tales is a questing, playful spirituality. In &quot;Takeout&quot; a woman asks her boyfriend if he would still love her if she changed, and then reveals that she already has. &quot;'Naw,' says Dick, shaking his head. 'Naw, you're still my little Wendykins' 'Actually, no,' says Wendy. 'No, I'm not your Wendykins. I'm Chiyono, a medieval Buddhist nun.' Dick looks up abruptly from the wreckage of his dinner. 'I've just achieved enlightenment,' says his wife. 'Just now, just today.'&quot; <em>--Shawn Conner</em></p>]]>
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    <id>79332</id>
        <name><![CDATA[John Gould]]></name>
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    <average_rating>3.86</average_rating>
    <ratings_count>42</ratings_count>
    <text_reviews_count>8</text_reviews_count>
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  </authors>  <published>2005</published>
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  <created_at type="datetime">2009-06-14T18:09:56-07:00</created_at>
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  <page type="integer">15</page>
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  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[Suzie Gardner]]></recommended_by>
  <read_at>Sun Sep 06 00:00:00 -0700 2009</read_at>
  <date_added>Sun Jun 14 18:09:43 -0700 2009</date_added>
  <date_updated>Sun Sep 06 22:17:34 -0700 2009</date_updated>
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    <body><![CDATA[I liked the stories, but my attention/patience span isn't tolerant enough to get through all of them.]]></body>
    
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