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  <isbn>0374113432</isbn>
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  <title>
    <![CDATA[BITCHfest: Ten Years of Cultural Criticism from the Pages of Bitch Magazine]]>
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    <![CDATA[&lt;div&gt;In the wake of <em>Sassy </em>and as an alternative to the more staid reporting of <em>Ms</em>.<em>, Bitch </em>was launched in the mid-nineties as a Xerox-and-staple zine covering the landscape of popular culture from a feminist perspective. Both unabashed in its love for the guilty pleasures of consumer culture and deeply thoughtful about the way the pop landscape reflects and impacts women&#8217;s lives, <em>Bitch </em>grew to be a popular, full-scale magazine with a readership that stretched worldwide. Today it stands as a touchstone of hip, young feminist thought, looking with both wit and irreverence at the way pop culture informs feminism&#8212;and vice versa&#8212;and encouraging readers to think critically about the messages lurking behind our favorite television shows, movies, music, books, blogs, and the like. <em>BITCHFest </em>offers an assortment of the most provocative essays, reporting, rants, and raves from the magazine&#8217;s first ten years, along with new pieces written especially for the collection. Smart, nuanced, cranky, outrageous, and clear-eyed, the anthology covers everything from a 1996 celebration of pre-scandal Martha Stewart to a more recent critical look at the &quot;gayby boom&quot;; from a time line of black women on sitcoms to an analysis of fat suits as the new blackface; from an attempt to fashion a feminist vulgarity to a reclamation of female virginity. It&#8217;s a recent history of feminist pop-culture critique and an arrow toward feminism&#8217;s future.&lt;/div&gt;]]>
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        <name><![CDATA[Lisa Jervis]]></name>
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        <name><![CDATA[Lisa Moricoli-Latham]]></name>
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  </authors>  <published>2006</published>
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  <read_at>Sat Aug 22 12:34:28 -0700 2009</read_at>
  <date_added>Mon May 25 12:34:47 -0700 2009</date_added>
  <date_updated>Sat Aug 22 12:34:28 -0700 2009</date_updated>
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