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    <name><![CDATA[Mark]]></name>
    <location><![CDATA[The United States]]></location>        
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      <rating>5</rating>
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  <read_at>Sat Jan 01 00:00:00 -0800 1994</read_at>
  <date_added>Wed Apr 29 15:34:50 -0700 2009</date_added>
  <date_updated>Wed Apr 29 17:11:55 -0700 2009</date_updated>
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    <body><![CDATA[This is one of my favorite novels and I need to re-read it.  The plot was both hokey and epic.  It needed to only be minimally interesting however (though it was much more than that) because it was a an anarcho-capitalist world.  I loved it.  I love the &quot;hero&quot; (Hiro Protagonist) and I loved the skater/message service girl (whose name escapes me) and I loved the horribly arrogant and impotant corporation that the Federal Government had become.  I loved the &quot;burbclaves&quot; (suburban, franchised, &quot;nations&quot; [sort of:]).  I loved that the whole thing sounded like a comic book (it was originally intended to be one).<br/><br/>The only thing about the set-up that bothered me was that the technology of the &quot;metaverse&quot; (3d, 1st-person, internet) seemed incomplete.  Stephenson should have had people go ahead and plug in directly into the computer, rather than merely using visors and keyboards.<br/><br/>This closed out the cyberpunk era if I remember right.  It wasn't nearly as literary as William Gibson's Neuromancer, which started it all.  But it was much more fun.<br/><br/>PS. How did I write this review and forget to mention that Hiro is the world's greatest swordsman?]]></body>
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