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  <id type="integer">227540</id>
  <isbn>0679756868</isbn>
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  <ratings_count type="integer">150</ratings_count>
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  <title>The Rape of Europa: The Fate of Europe's Treasures in the Third Reich and the Second World War</title>
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  <name>Lynn H. Nicholas</name>
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    <rating>4</rating>
  <votes>1</votes>
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  <read_at>Thu Mar 05 00:00:00 -0800 2009</read_at>
  <date_added>Mon Mar 02 16:33:26 -0800 2009</date_added>
  <date_updated>Thu Mar 05 20:34:41 -0800 2009</date_updated>
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    <body><![CDATA[World War II was, for a few, a historic opportunity to loot and pillage. And the theft of artwork, along with other forms of national treasure, was perfected and institutionalized on the grandest scale by the Nazis. Hitler was of course involved, but Goering was considerably more preoccupied. He stole, traded, and hoarded an enormous quantity of valuables (paintings, sculptures, tapestries, precious metals, gems, ceremonial objects, rare books, furniture, you name it) to fill his cavernous estate at Carinhall.<br/><br/>I’m not an art devotee, but many episodes in this book were absolutely maddening. Here’s the pattern in country after country: Germany invades, the Nazis pick over every public and private art collection they can find, packing off the best to the Reich (first choice goes to Hitler for his Linz museum, second choice to Goering, and so on). And then the remaining “degenerate” artwork is used for barter or burned. Nearly as frustrating: priceless artwork used as tabletops, left to disintegrate in wet caverns, hacked apart by infantrymen bent on revenge.<br/><br/>The recovery effort was considerably more intricate than the thefts, and all of this is covered in rich detail by Nicholas. At points, not being familiar with many of the works discussed, I longed for a visual reference. I haven’t seen the PBS documentary based on <em>The Rape of Europa</em>, but for visuals, it might be a good complement to the book. Even without the tour guide, though, it was a very enjoyable read.]]></body>
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