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    <name><![CDATA[Evan]]></name>
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  <id type="integer">140507</id>
  <isbn>0394750594</isbn>
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  <title>
    <![CDATA[Sanford Meisner on Acting]]>
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  <average_rating>4.01</average_rating>
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    <![CDATA[Sanford Meisner has been called &quot;the theater's best-kept secret,&quot; and <em>Sanford Meisner on Acting</em> by Dennis Longwell gives some insight into what techniques the hugely influential drama teacher used in his 50-plus years of work. One of the founding members of the Actors Studio (with Lee Strasberg, Stella Adler, and Harold Clurman), Meisner developed his own special lessons based upon his understandings of the great Russian teacher Stanislavsky. Turning away from the sense-memory exercises common among his colleagues, his training focused instead on a realistic approach to imagination and creativity. Unlike many other educators associated with &quot;the Method,&quot; Meisner had little tolerance for self-absorption or striving after strong emotional effect, instead preaching that clarity of purpose and efficient use of the psyche are the actor's greatest tools. Longwell's book follows a class of eight men and eight women through one of Meisner's 15-month courses at New York's Neighborhood Playhouse, with extensive transcripts taken directly from Meisner's notes to the students on the basis of their exercises. With an introduction by director Sydney Pollack, one of the many influential artists who studied with Meisner (the book includes accolades from Maureen Stapleton, Arthur Miller, Gregory Peck, and Eli Wallach), this is an excellent introduction that helps to demystify the work of a great theatrical teacher. <em>--John Longenbaugh</em> ]]>
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    <author>
    <id>81177</id>
        <name><![CDATA[Sanford Meisner]]></name>
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    <average_rating>4.01</average_rating>
    <ratings_count>145</ratings_count>
    <text_reviews_count>18</text_reviews_count>
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  </authors>  <published>1987</published>
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    <rating>5</rating>
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  <date_added>Wed Aug 08 10:16:30 -0700 2007</date_added>
  <date_updated>Wed Aug 08 10:24:59 -0700 2007</date_updated>
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    <body><![CDATA[Probably my favorite of any of the acting books I have read because there is no artifice or flowery language. It is simply transcripts of Meisner's conversations, mostly with his students, which is really all you need to appreciate his brilliance and learn from one of the greatest acting minds. This...<a href="http://www.goodreads.com/review/show/4262447">more...</a>]]></body>
    
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