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    <name><![CDATA[Raza]]></name>
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    <![CDATA[Gone Tomorrow]]>
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    <![CDATA[When George Canaris, a writing professor on the verge of forced retirement at a small college in Ohio, is killed by a hit-and-run driver, he is the first faculty member in half a century whose death merits an obituary in <em>The New York Times</em>. &quot;A writer, a critic, a professor, a campus legend and a national figure, the very embodiment of the liberal arts,&quot; says the paper. And a mystery. &quot;Compared to Faulkner and Dos Passos at the start of his career,&quot; the <em>Times</em> observed, &quot;in the end he resembled Harper Lee.&quot; <p>With a book listed among the one hundred greatest novels of all time, decades now separating him from the hefty advance taken on his next book, <em>The Beast</em>, and not a page to show of it, Canaris is an enigma. Inevitably, speculation grows that the book was a myth, a lie, a joke. <p>Upon his death, Mark May, a young English professor who barely knew him finds himself named as Canaris's literary executor and begins a search through lives and letters that is at once gripping, hilarious, and affirming. A true page-turner, <em>Gone Tomorrow</em> is equal parts Richard Russo and Michael Chabon, and yet entirely unlike anything you've ever read.</p></p>]]>
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        <name><![CDATA[P.F. Kluge]]></name>
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  </authors>  <published>2008</published>
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  <date_added>Sat Dec 06 03:21:45 -0800 2008</date_added>
  <date_updated>Sat Dec 06 03:21:45 -0800 2008</date_updated>
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