Vern's Reviews > The House on Coliseum Street
The House on Coliseum Street
by Shirley Ann Grau
by Shirley Ann Grau
abortion.
privilege.
southern.
green raincoat.
So I decided to gave Grau another chance. The house on Coliseum Street is located in New Orleans, LA and the occupants are a mother, her husband, and the mother's five daughters. The narrator of the story is the eldest daughter, 20-year-old Joan Mitchell.
The matriarch of the family, Aurelie Caillet, is a true southern belle to the very core of her being. Aurelie was by far my favorite character. She has been married five times having a daughter with each husband. Aurelie's current husband, Herbert Norton, is an alcoholic that never leaves his upstairs apartment. The women act as if he doesn't exist until he causes a problem or the delievery boy arrives with his daily liquor supply. They live a life of privilege. Joan is the most privileged because her father was the richest of all Aurelie's husbands. In Aurelie's words he was also the most dull.
Joan and Doris were the only daughter's that lived at home year round. The younger siblings were away at school. Joan was dating Fred Aleman while Doris dated randomly. One of Doris dates took an interest in Joan. Michael Kern was a professor at the local college where Joan took classes and worked at the library. They went out on a few dates. Then it happened. The "happening" brought forth a seed. The next turn of events Joan described as happening so casually and somewhat like a ballet. Michael was anxious and scared for his job. Aurelie never screamed. She just handled it. Joan was sent to her aunt's home. Everything was well orchestrated. Joan left empty.
Joan and Michael did not have a love story. He was happy the problem was solved and moved on. Fred was pushed aside. Joan became "disturbed" and obsessed. Michael came back to Doris. Joan got "sweet" revenge.
The going ons within the The House on Coliseum Street were miscellaneous. This story reminded me of We Have Always Lived in the Castle by Shirley Jackson. Joan's character was aloof and distant like Merricat in We Have Always Lived in the Castle. Joan was not as sharp as Merricat was by any means. Considering Joan had an abortion during a time when they were illegal and looked upon as extremely taboo, Grau never really showed the depth of Joan's emotions afterward. We read her "reactions" but never got to read how she really felt. No one's relationship had any depth whether between family members or lovers.
I expected Grau to make the city of New Orleans a character like most authors who have stories set there but instead she made the house a character. I noticed two common themes that Grau used in The Keepers of the House and The House on Coliseum Street: white privilege and revengeful women. The House on Coliseum Street started out five stars but progressively got worse.
privilege.
southern.
green raincoat.
So I decided to gave Grau another chance. The house on Coliseum Street is located in New Orleans, LA and the occupants are a mother, her husband, and the mother's five daughters. The narrator of the story is the eldest daughter, 20-year-old Joan Mitchell.
The matriarch of the family, Aurelie Caillet, is a true southern belle to the very core of her being. Aurelie was by far my favorite character. She has been married five times having a daughter with each husband. Aurelie's current husband, Herbert Norton, is an alcoholic that never leaves his upstairs apartment. The women act as if he doesn't exist until he causes a problem or the delievery boy arrives with his daily liquor supply. They live a life of privilege. Joan is the most privileged because her father was the richest of all Aurelie's husbands. In Aurelie's words he was also the most dull.
Joan and Doris were the only daughter's that lived at home year round. The younger siblings were away at school. Joan was dating Fred Aleman while Doris dated randomly. One of Doris dates took an interest in Joan. Michael Kern was a professor at the local college where Joan took classes and worked at the library. They went out on a few dates. Then it happened. The "happening" brought forth a seed. The next turn of events Joan described as happening so casually and somewhat like a ballet. Michael was anxious and scared for his job. Aurelie never screamed. She just handled it. Joan was sent to her aunt's home. Everything was well orchestrated. Joan left empty.
Joan and Michael did not have a love story. He was happy the problem was solved and moved on. Fred was pushed aside. Joan became "disturbed" and obsessed. Michael came back to Doris. Joan got "sweet" revenge.
The going ons within the The House on Coliseum Street were miscellaneous. This story reminded me of We Have Always Lived in the Castle by Shirley Jackson. Joan's character was aloof and distant like Merricat in We Have Always Lived in the Castle. Joan was not as sharp as Merricat was by any means. Considering Joan had an abortion during a time when they were illegal and looked upon as extremely taboo, Grau never really showed the depth of Joan's emotions afterward. We read her "reactions" but never got to read how she really felt. No one's relationship had any depth whether between family members or lovers.
I expected Grau to make the city of New Orleans a character like most authors who have stories set there but instead she made the house a character. I noticed two common themes that Grau used in The Keepers of the House and The House on Coliseum Street: white privilege and revengeful women. The House on Coliseum Street started out five stars but progressively got worse.
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Reading Progress
| 08/13/2012 | page 53 |
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22.0% |
