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  <id type="integer">228334</id>
  <isbn>1573221643</isbn>
  <isbn13>9781573221641</isbn13>
  <text_reviews_count type="integer">20</text_reviews_count>
  <title>
    <![CDATA[Innocence]]>
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  <average_rating>3.36</average_rating>
  <ratings_count>95</ratings_count>
  <description>
    <![CDATA[When Beckett is transplanted to an upscale school in Manhattan after the  death of her mother, she is not surprised to be snubbed by the in-crowd. What  does surprise her, and her loving father, is that when she looks out her  apartment window one night, the three most popular girls in school are dead on  the asphalt below, their blue jeans seeping blood. Beckett is already prone to  Holden Caulfield-like observations about the fakeness around her, the propensity  of the people she meets to become only &quot;movie stars&quot; acting their parts. Are the  suicides imaginary? And what about her new friend, Pamela, the school nurse, who  begins to date her father? Is this woman's concern purely affectionate or does  Beckett, a beautiful young virgin, have something that she wants?<p>   Following the quiet wedding of Pamela and Beckett's father, held in the  apartment, Beckett opens her bathroom door to find the toilet full of blood. At  once she recognizes the blood as &quot;a sacred symbol, a message, a warning, a  sign.&quot; In fear, she imagines it spilling over the bowl, splashing her hands and  face. &quot;Then the fear dies down,&quot; Beckett explains, &quot;and I see that the blood is  just a liquid, nothing but a surprise. But as the loud, throaty sound of the  flush fills my head and I turn off the light, I know that the blood means  something. I know that the blood is not just a surprise. I know that it is meant  for me.&quot; Using Carol Clover's concept of the final girl--the one who survives by  learning to kill--in slasher films, Jane Mendelsohn (<em>I Was Amelia Earhart</em>) offers a  brilliant and sinister vision of a schoolgirl's loss of innocence. As for the  virgin suicides, the bats, the bloody bundles in the freezer, the reader comes  to realize, with Beckett, that it doesn't matter what is real, only what is  true. <em>--Regina Marler</em></p>]]>
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    <id>113935</id>
        <name><![CDATA[Jane Mendelsohn]]></name>
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    <average_rating>3.31</average_rating>
    <ratings_count>509</ratings_count>
    <text_reviews_count>87</text_reviews_count>
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  </authors>  <published>2000</published>
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    <rating>3</rating>
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  <read_at>Sun Dec 31 00:00:00 -0800 2000</read_at>
  <date_added>Wed Nov 26 19:33:47 -0800 2008</date_added>
  <date_updated>Wed Nov 26 19:34:25 -0800 2008</date_updated>
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