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    <name><![CDATA[alyssa]]></name>
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  <id type="integer">76548</id>
  <isbn>0374530742</isbn>
  <isbn13>9780374530747</isbn13>
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  <title>
    <![CDATA[Averno: Poems]]>
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  <average_rating>4.12</average_rating>
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  <description>
    <![CDATA[&lt;div&gt;&lt;div&gt;Averno is a small crater lake in southern Italy, regarded by the ancient Romans as the entrance to the underworld. That place gives its name to Louise Glück&#8217;s tenth collection: in a landscape turned irretrievably to winter, it is a gate or passageway that invites traffic between worlds while at the same time resisting their reconciliation. <em>Averno</em> is an extended lamentation, its long, restless poems no less spellbinding for being without conventional resoltution or consolation, no less ravishing for being savage, grief-stricken. What <em>Averno</em> provides is not a map to a point of arrival or departure, but a diagram of where we are, the harrowing, enduring present.&lt;/div&gt;&lt;/div&gt;]]>
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    <author>
    <id>388727</id>
        <name><![CDATA[Louise Glück]]></name>
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  </authors>  <published>2006</published>
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    <rating>4</rating>
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  <read_at>Thu Dec 04 00:00:00 -0800 2008</read_at>
  <date_added>Wed Nov 19 18:45:29 -0800 2008</date_added>
  <date_updated>Thu Dec 11 19:35:26 -0800 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[at first, upon eagerly opening this volume, i thought &quot;uh-oh&quot; when i saw all the LONG poems.  generally, i don't really get why any poem should ever be more than a page or two.  but the very long poems in 'averno' are made up of numbered sections that read like a collection of normal-sized...<a href="http://www.goodreads.com/review/show/38184288">more...</a>]]></body>
    
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