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  <id type="integer">55176</id>
  <isbn>0316332976</isbn>
  <isbn13>9780316332972</isbn13>
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  <title>
    <![CDATA[Careless Love: The Unmaking of Elvis Presley]]>
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  <average_rating>4.41</average_rating>
  <ratings_count>310</ratings_count>
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    <![CDATA[Until Peter Guralnick came out with <em>Last Train to Memphis</em> in 1994, most biographies of Elvis Presley--especially those written by people with varying degrees of access to his &quot;inner circle&quot;--were filled with starstruck adulation, and those that weren't in awe of their subject invariably went out of their way to take potshots at the rock &amp; roll pioneer (with Albert Goldman's 1981 <em>Elvis</em> reaching now-legendary levels of bile and condescension). Guralnick's exploration of Elvis's childhood and rise to fame was notable for its factual rigorousness and its intimate appreciation of Presley's musical agenda.<p>  Picking up where the first volume left off, Guralnick sees Elvis through his tour of duty with the U.S. Army in Germany, where he first met--and was captivated by--a 14-year-old girl named Priscilla Beaulieu. We may think we know the story from this point: the return to America, the near-decade of B-movies, eventual marriage to Priscilla, a brief flash of glory with the '68 comeback, and the surrealism of &quot;fat Elvis&quot; decked out in bejeweled white jumpsuits, culminating in a bathroom death scene. And while that summary isn't exactly <em>false</em>, Guralnick's account shows how little perspective we've had on Elvis's life until now, how a gross caricature of the final years has come to stand for the life itself. He treats every aspect of Presley's life--including forays into spiritual mysticism and the growing dependency on prescription drugs--with dignity and critical distance. More importantly, <em>Careless Love</em> continues to show that Guralnick &quot;gets&quot; what Presley was trying to do as an artist: &quot;I see him in the same way that I think he saw himself from the start,&quot; the introduction states, &quot;as someone whose ambition it was to encompass every strand of the American musical tradition.&quot; From rock to blues to country to gospel, Guralnick discusses how, at his finest moments, Elvis was able to fulfill that dream. <em>--Ron Hogan</em> </p>]]>
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    <id>4830</id>
        <name><![CDATA[Peter Guralnick]]></name>
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    <average_rating>4.24</average_rating>
    <ratings_count>1363</ratings_count>
    <text_reviews_count>184</text_reviews_count>
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  </authors>  <published>1999</published>
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  <date_added>Thu Oct 23 08:45:23 -0700 2008</date_added>
  <date_updated>Thu Oct 23 08:45:23 -0700 2008</date_updated>
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