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    <name><![CDATA[Todd]]></name>
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  <isbn>0195124952</isbn>
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  <title>
    <![CDATA[Doing Documentary Work]]>
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    <![CDATA[Robert Coles, a child psychiatrist whose series of books on children won him a Pulitzer Prize, has turned his watchful eye to the nature of the documentary and produced a thought-provoking book. In somewhat the manner of James Faris's recent study, <em>Navajo and Photography</em>, Coles reveals how documentarians like Dorothea Lange and Walker Evans edited and cropped their images to produce a desired effect, and raises the question of authenticity versus manipulation. Lange, the subject of a previous biographical study by Coles, comes under close scrutiny as he contrasts her iconic image of a migrant mother with obscure photographs shot moments earlier. The author also recalls James Agee's self-critical appraisal of his and Evans's &quot;insensitivity&quot; and &quot;arrogance&quot; in pursuing an editorial assignment.]]>
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        <name><![CDATA[Robert Coles]]></name>
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  </authors>  <published>1997</published>
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  <read_at>Fri Jul 17 21:28:04 -0700 2009</read_at>
  <date_added>Wed Sep 10 18:05:49 -0700 2008</date_added>
  <date_updated>Fri Jul 17 21:28:04 -0700 2009</date_updated>
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