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    <name><![CDATA[Nick]]></name>
    <location><![CDATA[Santa Rosa, CA]]></location>        
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  <id type="integer">830</id>
  <isbn>0553380958</isbn>
  <isbn13>9780553380958</isbn13>
  <ratings_count type="integer">20357</ratings_count>
  <text_reviews_count type="integer">1218</text_reviews_count>
  <title>Snow Crash</title>
  <average_rating></average_rating>
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  <id type="integer">545</id>
  <name>Neal Stephenson</name>
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    <rating>4</rating>
  <votes>0</votes>
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  <read_at>Sat Aug 30 13:35:51 -0700 2008</read_at>
  <date_added>Sun Aug 24 15:41:24 -0700 2008</date_added>
  <date_updated>Sat Aug 30 13:35:51 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[And then it's a chase scene.<br/><br/>Snow Crash is just plain fun. It's hard to take a book seriously when the main character is named &quot;Hiro Protagonist&quot;, carries around a pair of katanas, and starts out working as a pizza delivery driver for the Mafia. Fortunately, Snow Crash doesn't seem to particularly care about being taken seriously, and has its tongue firmly planted in its cheek from page #1. The plot is a mix of modern American culture, near-future technological speculation (circa 1992), ancient mythology, and linguistics.<br/><br/>I felt the ending was kind of a let-down after all the marvelously weird stuff that had come before it, and a lot of the technological stuff is remarkably dated. But the book's still worth a read.]]></body>
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