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    <name><![CDATA[Erik]]></name>
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  <id type="integer">3844728</id>
  <isbn>1582409803</isbn>
  <isbn13>9781582409801</isbn13>
  <ratings_count type="integer">7</ratings_count>
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  <title>Elephantmen - War Toys Volume 1: No Surrender</title>
  <average_rating></average_rating>
  <link>http://www.goodreads.com/book/show/3844728.Elephantmen_War_Toys_Volume_1_No_Surrender</link>
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  <id type="integer">93215</id>
  <name>Richard Starkings</name>
  <ratings_count type="integer">316</ratings_count>
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    <rating>4</rating>
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  <date_added>Thu Jul 31 06:00:38 -0700 2008</date_added>
  <date_updated>Thu Jul 31 06:04:16 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[For several years now I’ve been scratching my head wondering just what comic book my brother’s best buddy Justin Norman draws. And, oddly, it wasn’t until I saw him recently at the 2008 San Diego Comic-Con when I ran into him at his booth that I finally found out what he’s been whittling away at.<br/><br/>Already several years into this gig, Justin – now going by the mysterious moniker “Moritat”, which explains why I’ve been in the dark all this time – pencils, inks, and even colors the Elephantmen series penned by Richard Starkings; the latter who is better known for his revolutionary work with the LA-based digital lettering studio Comicraft. (Open a Wildstorm or Image comics on any given day of the week, and you’ll often find them credited for the lettering.)<br/><br/>In the first volume of War Toys, Justin sticks with black-and-white to bring to visual life Starkings’ origin of the cold-hearted killing machines known as the Elephantmen. Imagine a twenty-third century Europe crippled by the worst plague since bubonic times, all while the remaining thousand or so survivors battle the titular half-human/animal killing machines who are the drones of the powerful MAPPO Coporation. (Shades of Blade Runner, you think?) The beauty of Moritat’s art lies in his Joe Kubert-style war-scenes in which the French resistance finally begins to fight-back under the helm of the myseterious Yvette – a Marianne-inspired leader. (Picture Delacroix’s Liberty Leading the People crossed with Sarah Connor from the Terminator flicks, and you’ll know exactly what I mean here.) As for the writing itself, Starkings’ script and plot is driven, harsh, and powerful. In sum: A damn fine war-comic if I’ve ever read one.<br/>]]></body>
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