Ben Babcock's Reviews > Lullabies for Little Criminals
Lullabies for Little Criminals
by Heather O'Neill
by Heather O'Neill
Ben Babcock's review
bookshelves: own, canadian-author, favourites, literary-pretentious, 2008-read, 2008-best10, as-lit-ideas
Aug 03, 08
bookshelves: own, canadian-author, favourites, literary-pretentious, 2008-read, 2008-best10, as-lit-ideas
Read in July, 2008
About two hundred pages into the book, I suddenly realized that this story was breaking my heart.
It's sneaky. You don't know you're getting attached to Baby, the main character, until it's too late. You don't realize you're emotionally invested in her, that you want to see her make the right decisions that lift her out of the morally ambiguous streets and propel her to a successful, happy life. So when events push her into doing the opposite, it's terrible.
The theme that resonates with me most is that childhood is the most precious innocence we have. Baby makes several philosophical remarks about childhood, how society encourages us to grow up too fast--and the fact that we can't go back afterward. We're stuck as adults. As an 18-year-old, I've reached the legal age for adulthood. I'm venturing into that scary world of responsibility; no one treats me as a child anymore. I have the advantage of never experiencing Baby's hardships, yet I still feel confused at times. Everyone probably does, which is why this book captures your heart.
Baby has no mother, and her father is not much of a father figure. She is a person of remarkable natural integrity and morals nonetheless, but as the book progresses, these morals get twisted further and further out of focus as she tries to deal with growing up while her father slips further away from reality. She goes through several phases of friendship, attempting to fit in at school, hanging out with other kids at a community centre, hanging out with a more dangerous social misfit than her, her first boyfriend ... and being seduced by a pimp.
It was the contrast of those last two relationships that broke my heart. Baby, fast approaching the nadir of her pre-adolescent life, succumbs to the advances of the neighbourhood pimp. You think, "Okay, this can't get any worse. Yeah, she's with a pimp, but she'll get out of it. She'll find a way out." Then she meets a boy her age and falls for him, and suddenly it is that much worse. Baby is torn between two worlds, two different lifestyles. She tries to push each away in turn, but both stick to her and try to claim her.
The ending is open. It does not neatly wrap up Baby's life in an epilogue, tell us that she went on to live happily-ever after. If it had, that would cheat the book of its significance. I won't spoil it, but I will say it is positive.
Trying to do the right thing is hard enough when you know what "the right thing" is. When you don't even know that, and you're a thirteen-year-old girl without the advice of a parent to guide her, life is much, much harder.
It's sneaky. You don't know you're getting attached to Baby, the main character, until it's too late. You don't realize you're emotionally invested in her, that you want to see her make the right decisions that lift her out of the morally ambiguous streets and propel her to a successful, happy life. So when events push her into doing the opposite, it's terrible.
The theme that resonates with me most is that childhood is the most precious innocence we have. Baby makes several philosophical remarks about childhood, how society encourages us to grow up too fast--and the fact that we can't go back afterward. We're stuck as adults. As an 18-year-old, I've reached the legal age for adulthood. I'm venturing into that scary world of responsibility; no one treats me as a child anymore. I have the advantage of never experiencing Baby's hardships, yet I still feel confused at times. Everyone probably does, which is why this book captures your heart.
Baby has no mother, and her father is not much of a father figure. She is a person of remarkable natural integrity and morals nonetheless, but as the book progresses, these morals get twisted further and further out of focus as she tries to deal with growing up while her father slips further away from reality. She goes through several phases of friendship, attempting to fit in at school, hanging out with other kids at a community centre, hanging out with a more dangerous social misfit than her, her first boyfriend ... and being seduced by a pimp.
It was the contrast of those last two relationships that broke my heart. Baby, fast approaching the nadir of her pre-adolescent life, succumbs to the advances of the neighbourhood pimp. You think, "Okay, this can't get any worse. Yeah, she's with a pimp, but she'll get out of it. She'll find a way out." Then she meets a boy her age and falls for him, and suddenly it is that much worse. Baby is torn between two worlds, two different lifestyles. She tries to push each away in turn, but both stick to her and try to claim her.
The ending is open. It does not neatly wrap up Baby's life in an epilogue, tell us that she went on to live happily-ever after. If it had, that would cheat the book of its significance. I won't spoil it, but I will say it is positive.
Trying to do the right thing is hard enough when you know what "the right thing" is. When you don't even know that, and you're a thirteen-year-old girl without the advice of a parent to guide her, life is much, much harder.
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Quotes Ben Liked
“People give you a hard time about being a kid at twelve. They didn't want to give you Halloween candy anymore. They said things like, "If this were the Middle Ages, you'd be married and you'd own a farm with about a million chickens on it." They were trying to kick you out of childhood. Once you were gone, there was no going back, so you had to hold on as long as you could.”
― Heather O'Neill, Lullabies for Little Criminals
― Heather O'Neill, Lullabies for Little Criminals
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Jennifer
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rated it 4 stars
Sep 23, 2008 04:24pm
I completely agree about it being sneaky. I never thought that I was attached to her until, as I was reading, I was trying to tell her what would be best for her to do. It was weird, but also, great. I want to see more from Heather O'Neill.
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There was a story featured on CBC's WireTap that I believe was by her; I don't know the title, but it's about Jesus and Mary Magdalene. It takes place in a school (maybe middle school-aged), told from the point of view of Mary, when Jesus transfers into her class. It's quite endearing and profound at the same time.
