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  <id>26423313</id>
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    <id>636104</id>
    <name><![CDATA[Patricia]]></name>
    <location><![CDATA[Chico, CA]]></location>
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    <book>
  <id type="integer">141565</id>
  <isbn>0525949690</isbn>
  <isbn13>9780525949695</isbn13>
  <text_reviews_count type="integer">361</text_reviews_count>
  <title>
    <![CDATA[This Is Your Brain on Music: The Science of a Human Obsession]]>
  </title>
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  <average_rating>3.60</average_rating>
  <ratings_count>1503</ratings_count>
  <description>
    <![CDATA[A fascinating exploration of the relationship between music and the mind&#151;and the role of melodies in shaping our lives <br/><br/> Whether you load your iPod with Bach or Bono, music has a significant role in your life&#151;even if you never realized it. Why does music evoke such powerful moods? The answers are at last be- coming clear, thanks to revolutionary neuroscience and the emerging field of evolutionary psychology. Both a cutting-edge study and a tribute to the beauty of music itself, <em>This Is Your Brain on Music</em> unravels a host of mysteries that affect everything from pop culture to our understanding of human nature, including:<br/> &#149; Are our musical preferences shaped in utero?<br/> &#149; Is there a cutoff point for acquiring new tastes in music? <br/> &#149; What do PET scans and MRIs reveal about the brain's response to music? <br/> &#149; Is musical pleasure different from other kinds of pleasure? <br/> <br/> <em>This Is Your Brain on Music</em> explores cultures in which singing is considered an essential human function, patients who have a rare disorder that prevents them from making sense of music, and scientists studying why two people may not have the same definition of pitch. At every turn, this provocative work unlocks deep secrets about how nature and nurture forge a uniquely human obsession. ]]>
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<authors>
    <author>
    <id>81619</id>
        <name><![CDATA[Daniel J. Levitin]]></name>
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    <link><![CDATA[http://www.goodreads.com/author/show/81619.Daniel_J_Levitin]]></link>
    <average_rating>3.55</average_rating>
    <ratings_count>1916</ratings_count>
    <text_reviews_count>492</text_reviews_count>
  </author>
  </authors>  <published>2006</published>
</book>

    <rating>3</rating>
  <votes>3</votes>
  <spoiler_flag>false</spoiler_flag>
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  <recommended_for><![CDATA[Any musician who has the patience to really pay attention to what the author is saying. ]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Tue Sep 23 00:00:00 -0700 2008</read_at>
  <date_added>Sun Jul 06 06:35:30 -0700 2008</date_added>
  <date_updated>Sat Dec 05 23:15:53 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[It wasn't until I was half-way through this book that things started to get really interesting.  As a musician, the first half was like retaking Music 101, but I felt this was a book I need to read, so I plowed on.  I am looking for answers to the questions:  &quot;Why, when I near any musical inter...<a href="http://www.goodreads.com/review/show/26423313">more...</a>]]></body>
    
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