Emily May's Reviews > The Snow Child
The Snow Child
by Eowyn Ivey (Goodreads Author)

I put off reading The Snow Child because it wasn't something I would have chosen for myself without the extremely positive reviews of other goodreads members. If it is not obvious to you from the description alone, then this book is not mostly plot-driven. It's charm is upheld by the characters, the relationships, and the sad, cold mood that seems to permeate the entire novel from open to close. It is the kind of novel that I sometimes have trouble with, the kind not concerned with action or drama, but more subdued and subtle. However, I was fortunate in that the characters held my attention throughout and the relationship between Mabel and Jack carried something simultaneously heart-warming and bittersweet that really spoke to me.
Mabel and Jack are an aging couple that have escaped from their previous reality into the Alaskan wilderness. They struggle to get by with Jack trying desperately to turn the old farm where they live into something that can support them through the harsh winters. But they are also struggling with something that runs much deeper: their childlessness and the memory of the stillborn baby that continues to drive them apart. I loved the relationship between the pair, the way they often felt distanced from one another but still relied on each other for support. It was heart-breaking to picture them sat at their table feeling the absence of a child and unable to discuss it.
There's something about this novel that is just plain sad. Even when nothing particularly sad seems to be happening. It's a tone that the story never shakes and perhaps it is something to do with the description of the freezing and isolated environment that made me feel like I should prepare to burst into tears at any second. I can't say for sure whether this book was supposed to be a lesson in how you cannot run away from your problems, or how bottling things up and shutting people out never works, but I can say that I took a little bit of all of this from the story.
Onto the snow child herself. It could have been an intentional move on the author's part, but I felt constantly distanced from her character; I felt perhaps she was a tool by which the main players' (Mabel and Jack) could be analysed and allowed to grow and develop. This is not so much a criticism as an observation. If you aren't aware of the basic plot outline, Mabel and Jack create a child out of the snow on a winter's night and discover the creation gone the next morning with a single trail of footsteps leading away from where it had stood. Then suddenly they start to spot a young girl roaming the woods, one who is identical to their snow sculpture and they see it as an opportunity to maybe finally have the child they always wanted.
I had been all set to give this book five stars, I really had. The writing is beautiful, the characters interesting, and the relationships touching... but the ending was disappointing. For me, it seemed like an unsatisfactory "is that it, then?" kind of ending that left me expecting some kind of twist from the epilogue that wasn't forthcoming. It wasn't enough to make me change my mind about the rest of the story and I would still highly recommend this book, but it was quite a large fault in an otherwise near-perfect novel.
by Eowyn Ivey (Goodreads Author)

I put off reading The Snow Child because it wasn't something I would have chosen for myself without the extremely positive reviews of other goodreads members. If it is not obvious to you from the description alone, then this book is not mostly plot-driven. It's charm is upheld by the characters, the relationships, and the sad, cold mood that seems to permeate the entire novel from open to close. It is the kind of novel that I sometimes have trouble with, the kind not concerned with action or drama, but more subdued and subtle. However, I was fortunate in that the characters held my attention throughout and the relationship between Mabel and Jack carried something simultaneously heart-warming and bittersweet that really spoke to me.
Mabel and Jack are an aging couple that have escaped from their previous reality into the Alaskan wilderness. They struggle to get by with Jack trying desperately to turn the old farm where they live into something that can support them through the harsh winters. But they are also struggling with something that runs much deeper: their childlessness and the memory of the stillborn baby that continues to drive them apart. I loved the relationship between the pair, the way they often felt distanced from one another but still relied on each other for support. It was heart-breaking to picture them sat at their table feeling the absence of a child and unable to discuss it.
There's something about this novel that is just plain sad. Even when nothing particularly sad seems to be happening. It's a tone that the story never shakes and perhaps it is something to do with the description of the freezing and isolated environment that made me feel like I should prepare to burst into tears at any second. I can't say for sure whether this book was supposed to be a lesson in how you cannot run away from your problems, or how bottling things up and shutting people out never works, but I can say that I took a little bit of all of this from the story.
Onto the snow child herself. It could have been an intentional move on the author's part, but I felt constantly distanced from her character; I felt perhaps she was a tool by which the main players' (Mabel and Jack) could be analysed and allowed to grow and develop. This is not so much a criticism as an observation. If you aren't aware of the basic plot outline, Mabel and Jack create a child out of the snow on a winter's night and discover the creation gone the next morning with a single trail of footsteps leading away from where it had stood. Then suddenly they start to spot a young girl roaming the woods, one who is identical to their snow sculpture and they see it as an opportunity to maybe finally have the child they always wanted.
I had been all set to give this book five stars, I really had. The writing is beautiful, the characters interesting, and the relationships touching... but the ending was disappointing. For me, it seemed like an unsatisfactory "is that it, then?" kind of ending that left me expecting some kind of twist from the epilogue that wasn't forthcoming. It wasn't enough to make me change my mind about the rest of the story and I would still highly recommend this book, but it was quite a large fault in an otherwise near-perfect novel.
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Reading Progress
| 05/13/2012 | page 205 |
|
48.0% | |
| 05/14/2012 | page 328 |
|
78.0% |
"Why does everyone always want to hurt the little foxes? :( "
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I keep running into this book. It sounds really interesting and you've written a great review. Cute foxes too - the little vixens.
oh no! an unsatisficatory ending? i hate that kind of thing, because that's how i felt about the language of flower (one of my top all-time-fave) :/
I know, right? It's a shame, cause it's just those little niggly things that stop it from being amazing and make it just good.
Great review Emily! I'm going to have such a hard time reviewing this one. I think I'm just going to say "what she said" :D
I agree about the ending being why I gave it 4 stars. And I felt very sad too. Just like you said, as if I should cry at any moment.
Karen wrote: "dead drifter? are you all talking about the man that was referred to as Faina's father?"Yeah, that's who I meant :)
Yes, I completely agree with you about the ending...although the author did succeed in creating something quite different than what I had concocted in my own head. As Faina was warming up to GarrettI never really suspected a love affair--and given the dust jacket description that what everyone learns about Faina will transform them all-- but rather that she was luring him to fall for her so that she could kill him, like he so mercilessly killed her fox. I took it a step further in that they would also discover that the man believed to be her father, now buried in a shallow grave under the snow, was also her victim. Clearly, I had an entirely different genre in mind for the eventual layout of the story. It might be because I read Stephen King's 11/22/63 prior to this. In any case, my whole point in commenting was to say that I agreed with you about the ending. Sorry for the tangent...lol
I don't agree about the ending....at our book club discussion some tried to speculate what happened to Faina - who she really was and what to make of the ending. I think the beauty of this book is the fact that we can each make of it what we will - decide who Faina was, what she represented, etc. I saw her as an embodiment of Alaska - wild, untamed, pale and beautiful. I didn't find the ending sad - her child was there to bring love and joy to those around him and to share her love of the snow.
Interesting interpretation, Jane. And a wonderful way of thinking about it. I think it's just my personal preference that I often feel a little cheated by open endings that leave the reader to speculate what really happened. Occasionally I think it works, but the majority of the time I feel like the author has taken the easy way out. But thank you for sharing your thoughts :)
Yes, I too took a star away because the ending left me empty in a different way than the evocative emptiness of the book's initial landscape. Not in the inevitable conclusion of the story, but in how the author seemed to lose her lyrical touch in how she described it.

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fab review :)