Mark's Reviews > Oliver Twist
Oliver Twist
by Charles Dickens, George Cruikshank , Philip Horne
by Charles Dickens, George Cruikshank , Philip Horne
I have in my 37 years of life avoided reading Charles Dickens. My reason: after having suffered through trying to read the so-called English literature of his era--think Thomas Harding, Emile Bronte and Mary Shelly--I figured Dickens would be no better. For some reason I can’t now recollect, I decided to give Dickens a try. I chose Oliver Twist. And was immediately hooked. Far from the boring narrative one finds the works of the other English writers I've already mentioned, Dickens has a very personable, simple, attractive writing style.
As its title suggests, the book itself is about Oliver Twist. He's an orphan who, constantly abused, finally runs away and goes to London for there he figures he'll never be found. During his trip to that city, he meets a youth of perhaps thirteen years who calls himself the Artful Dodger. He's a pick pocket, and he brings poor Oliver into a den of thieves, one headed by a fence named Fagin. Here is a character of very bad reputation. Alas, he also demonstrates Dickens’ obvious anti-Semitism. Fagin represents a caricature of all “bad” Jews. Despite this flaw, Dickens nonetheless makes him a compelling villain. His other primary rogue, Bill Sikes the housebreaker, is even more dangerous and more terrifying.
Poor Oliver is soon used as a decoy while the Artful Dodger and his fellow pickpocket, Charley Bates, steal from a gentleman looking at books at a bookstand. Oliver is caught, taken to the magistrate, then befriended by the very man who thought Oliver had picked his pocket: Mr. Brownlow. From here Oliver’s adventures for the most part recall the terrible things that happen to the poor boy: he’s kidnapped, compelled to be a house breaker, and has a variety of other problems. Along the way he learns that not all the adults in the world are as compassionless as those who ran the Parish orphanage from whence he came.
This book is more than a compelling tale: it is biting social commentary, attacking the terrible conditions that the English masses had to endure in the first half of the 19th century; it is especially critical of the unfair Poor Law. England at that time was in essence what the free market advocates want in America to be today: they want no government interference in business nor the government to manage anyone’s lives’ let the market to take care of it! Thus an orphanage isn’t a place where you keep children until they can be adopted or come of age, it’s a place where you work the them to turn a profit. Oddly, this tale rings very true to our society today, but even if you have no interest whatsoever in society in general and politics and economics in particular, it’s nonetheless a wonderful tale well worth reading.
As its title suggests, the book itself is about Oliver Twist. He's an orphan who, constantly abused, finally runs away and goes to London for there he figures he'll never be found. During his trip to that city, he meets a youth of perhaps thirteen years who calls himself the Artful Dodger. He's a pick pocket, and he brings poor Oliver into a den of thieves, one headed by a fence named Fagin. Here is a character of very bad reputation. Alas, he also demonstrates Dickens’ obvious anti-Semitism. Fagin represents a caricature of all “bad” Jews. Despite this flaw, Dickens nonetheless makes him a compelling villain. His other primary rogue, Bill Sikes the housebreaker, is even more dangerous and more terrifying.
Poor Oliver is soon used as a decoy while the Artful Dodger and his fellow pickpocket, Charley Bates, steal from a gentleman looking at books at a bookstand. Oliver is caught, taken to the magistrate, then befriended by the very man who thought Oliver had picked his pocket: Mr. Brownlow. From here Oliver’s adventures for the most part recall the terrible things that happen to the poor boy: he’s kidnapped, compelled to be a house breaker, and has a variety of other problems. Along the way he learns that not all the adults in the world are as compassionless as those who ran the Parish orphanage from whence he came.
This book is more than a compelling tale: it is biting social commentary, attacking the terrible conditions that the English masses had to endure in the first half of the 19th century; it is especially critical of the unfair Poor Law. England at that time was in essence what the free market advocates want in America to be today: they want no government interference in business nor the government to manage anyone’s lives’ let the market to take care of it! Thus an orphanage isn’t a place where you keep children until they can be adopted or come of age, it’s a place where you work the them to turn a profit. Oddly, this tale rings very true to our society today, but even if you have no interest whatsoever in society in general and politics and economics in particular, it’s nonetheless a wonderful tale well worth reading.
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Joe
(last edited Jan 11, 2009 08:31am)
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rated it 3 stars
Jan 11, 2009 08:31am
"So called literature?" who made you the ultimate critic on an entire era of literature?
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Joe wrote: ""So called literature?" who made you the ultimate critic on an entire era of literature?"My opinion on English literature (that is, that produced in America and England) is as such: most of it is crap. For some reason what is considered good literature involves no plot, something I still can't get my head around. When I read something I want to be entertained or informed, not bored stiff. Buy, hey, it's just my dumb opinion. One person's Emily Bronte is another person's Daniel Steele. It's all a matter of taste.

