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    <name><![CDATA[Erik]]></name>
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  <id type="integer">227540</id>
  <isbn>0679756868</isbn>
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  <ratings_count type="integer">151</ratings_count>
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  <title>The Rape of Europa: The Fate of Europe's Treasures in the Third Reich and the Second World War</title>
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  <name>Lynn H. Nicholas</name>
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    <rating>3</rating>
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  <read_at>Tue Apr 01 00:00:00 -0700 2008</read_at>
  <date_added>Tue Jun 17 06:21:05 -0700 2008</date_added>
  <date_updated>Tue Jun 17 06:21:24 -0700 2008</date_updated>
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    <body><![CDATA[Although it does often read like a laundry list of people, events, and places in art world of war-torn Europe during the late 30’s and 40’s, I will say I was in awe of Nicholas’s research into this often-ignored area of WWII history. His ability to explain human motivation and exploitation of artistic works of art in extreme minutiae is second to none. The description of the great mass of refuges from Belgium and the Netherlands who descended into France before the latter's fall – along with massive truckloads of their artistic patrimony – stands as one the most unforgettable images that I will take away from this detailed expose. The Nazis as usual – and Himmler and Goering, in particular – walk away as a despicable coterie of power-<a href="http://www.goodreads.com/book/show/665738.Control_Freak" title="Control Freak by Christa Faust">control freak</a>s and manipulators. If they weren’t bombing the hell out of Europe east and west, not to mention exterminating whole populations of ethnic, religious, and sexual minorities – not to mention anyone with a mental handicap – the Nazis were looting Europe of its masterpieces like kids at a candy store. Luckily for us today, just enough people throughout Europe had the prescience to inventory and hide away as much artwork as they could before the coming barbarian hordes of the Third Reich. Of course, it remains to be said that some works have been lost, forgotten, or even destroyed. Let’s just hope history doesn’t try and repeat itself.]]></body>
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