Robert J Burdock's Reviews > The Road

The Road by Cormac McCarthy
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Jul 11, 08

bookshelves: 50-novels-in-one-year, own
Read in July, 2008

** spoiler alert **
As posted on my blog [NOTE: The following may contain minor spoilers]

When I finally laid this book on the table as finished (as part of my 50 Novels in One Year reading challenge), I blew out hard and gasped Wow! I knew I was in for a ‘bumpy ride’ before setting out to read this post-apocalyptic tale of human survival, but I didn’t realise quite how bumpy that journey was going to be (quite literally, as a lot of the action is cross-country :o)). I thought of metaphorically comparing the novel to being on a roller-coaster ride. However on a roller-coaster, the ride is full of ups and downs and in this novel, aside from occasional moments of success, the characters only really experience ‘downs’. It’s definitely not a ‘feel good’ book.


Mr. McCarthy does an incredible job of ‘painting’ his post-apocalyptic America. The impression of bleakness, of total destruction, of a country where everything has been reduced to nothing is wholly apparent. The author spends a lot of time describing the landscape with everything covered in ash, all plant life dead, every man-made structure in a state of ruin and it almost always raining or snowing. I couldn’t get it out of my head, how grey everything must look in this landscape, and being faced with such a monochromatic vista, how could everything not seem bleak?

Whereas the majority of these kind of ‘world disaster’ novels illustrate apocalyptic destruction and survival by basing their ‘survivors’ in cities (typically New York), or towns (typically mid-sized, and cut off from the outside world), barely any of the action in The Road takes place in cities or towns. Urban areas are treated as ‘passing points’, places to briefly forage for anything of use (and to proceed through with extreme caution). As such this brings both, an increased emphasis on the nomadic journeying aspect of the novel, and a greater emphasis on the main transit ‘artery’ used by any of post-apocalyptic survivors, the road.

One thing I found that Mr. McCarthy achieves just as successfully in The Road, is to wholly personify the human bond that can exist between father and son, especially when a father and son are facing insurmountable odds in unimaginable circumstances. I can’t recall seeing this father/son bond being so well exemplified in words, anywhere else, and it’s truly one of Mr. McCarthy’s crowning glories. The father’s love and devotion for his son is clearly evident, as is the son’s love and utter reliance on his father.

While I hugely enjoyed The Road, I did have a couple of minor niggles with it. Firstly I was hoping to see a more moralistic struggle for survival being shown from the main characters. Although it’s clear that the father would stop at nothing to protect the safety of his son, I would have liked to have seen him wrestle more with the biggest survivalist taboo, and one focused on often in the novel, that of cannibalism. He does touch on the issue but not to the level and depth I would have liked to have seen.

There is also an aspect of the prose that take some getting used to at first: the severe lack of punctuation. Seeming as though he has an aversion to their usage, Mr. McCarthy omits quotation marks and apostrophes for the majority of his contracted words. However, although such a practice may leave a grammar teacher squirming in his/her seat, this is a technique that I think works. It brings a kind of visual barrenness to the page that mirrors the emptiness of the landscape of the novel. As I said it does take a bit of getting used to at first, but once you do it becomes invisible.

Favourite quote: “She was gone and the coldness of it was her final gift. She would do it with a flake of obsidian. He’d taught her himself. Sharper than steel.” [Note: This is not my favourite quote because of the quality of the prose, it is more to do with what the quote relates to]

Favourite scene: When the father and son come across a grand house at the edge of town and find something ‘interesting’ in a locked cellar.

What this novel has taught me about writing: How important it is to create an environment that is wholly described and wholly believable. The realism that Mr. McCarthy presents in his apocolyptic landscape is stunning and added hugely to the sympathy I felt for the survivors (even the bad ones :o))
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