Shannon (Giraffe Days)'s Reviews > Moon Called
Moon Called (Mercy Thompson, #1)
by Patricia Briggs
by Patricia Briggs
Shannon (Giraffe Days)'s review
bookshelves: urban-fantasy, vampires, shape-shifters, paranormal, 2009
Nov 17, 09
bookshelves: urban-fantasy, vampires, shape-shifters, paranormal, 2009
Read in November, 2009
Mercy Thompson is a car mechanic who runs her own garage almost single-handedly. Her life follows a fairly simple pattern: teaching the world's only friendly vampire, Stefan, how to fix his old bus; chatting to undercover cop Tony; and quietly baiting the meticulous Alpha of the local werewolf pack, Adam, by putting a battered old spare-parts VW beetle in the field between their homes where he can see it from his bedroom window and wince.
Mercy knows how to deal with the werewolves - after all, she's a coyote shifter who was fostered by a werewolf family in the heart of the Marrok's own pack (the Marrok being the leader of all the werewolves in North America). So when a boy comes to her garage looking for work, she can instantly tell a few things about him: one, that he's a newly changed werewolf; two, that he doesn't have control yet; and three, that he doesn't belong to Adam's pack. Her suspicions escalate when two men, a poorly trained werewolf and a human, turn up at night to take the kid, Mac, away.
No sooner has she got Mac safe at Adam's then the Alpha's own home is attacked and his teenage daughter Jesse kidnapped. Mercy has good instincts, and a good chance of finding Jesse - but there's a lot more going on here than a simple kidnapping, and Mercy is soon risking her own life to get to the truth.
I'm torn between absolutely loving this and giving it five stars, and holding back a bit on four. It seems unfair to give this four when I gave Dead Until Dark five. So I will probably change my mind a few times.
This book reminded me more of Kelley Armstrong's Women of the Underworld series (Bitten etc.) than of Sookie Stackhouse, but really it falls somewhere in-between. All three series are set in a present-day world full of magical and supernatural beings: werewolves, vampires, fae and fairies, mind-readers and so on. In all three, the supernatural are either "out of the closet" or thinking about it - oh except for Armstrong I think, though I've only read two books in the series so far. All three feature a female protagonist who's somewhat supernatural herself: Elena in Bitten is a werewolf, Mercy is a coyote-shifter, Sookie is a telepath. They each attract some powerful, sexy men and they each get caught up in some nasty underworld business. Hence the Urban Fantasy tag.
Of the three my favourite so far is Elena/Women of the Underworld, but only because it's just that much darker, more dangerous, and the books are longer so you can get more involved in the story, characters and world. The Sookie books are short, but this was even shorter. However, it was also tightly plotted and finely structured, so it didn't feel particularly short. It is a teaser, though. Just as you're really getting into it, it ends and you're left with air and that compulsion to go out and grab the next book pronto. So that does put it firmly in the "Loved it!" camp.
Mercy is no goody-goody, which sometimes Sookie is too much of, and she stands up to the domineering, aggressive men (though, with the werewolves especially, she also knows when it's not the time). She has a loner streak, especially since the females in the packs tend to hate her. I don't feel like I know all that much about her, and I was confused about what she is exactly - she says she is a "walker", which "is derived from 'skinwalker', a witch of the Southwest Indian tribes who uses a skin to turn into a coyote or some other animal and goes around causing disease and death." (p.4) That was as much of an explanation as we get, perhaps because walkers are a rare breed and she doesn't know much about her inheritance herself. She's descended on her father's side from Native Americans, and she's immune to some kinds of magic, like some vampire magic, and her ancestors used to hunt the supernatural. I hope her magic is explained more over the series because I'd like to understand it better.
I loved Adam - his magnetic charisma just jumped off the page, and when he first appears and Mercy's describing him, ending with how he was a bit scary, I certainly felt that too. It added an edge of danger and unpredictability to the story, balanced by the joke between Mercy and Jesse about the car that spoils his view (every time he pisses her off she thinks up something new to do to it, like remove a few wheels, paint graffiti on it - it made me laugh), and by the moments of sweetness. He's a scary, sleek-looking Alpha werewolf who hides his liking for Mercy behind threats to her cat. The news that he keeps a photo of Mercy in his bedroom could have been creepy but just made me go "awwwwwww"!
The story focuses on werewolf politics but there's a bit of vampire in there too - the vampire part was really confusing and it seemed like a bit of a plot hole; I have no idea what was going on there, unless it was nothing more than what we saw and heard about. I am a bit perplexed at all the "don't swear in front of the lady" nonsense - people are dying and you're worried about swearing? I just find it patronising.
These paranormal urban fantasy books are really the closest I get to reading mystery-crime-thriller-suspense; I can't enjoy a good mystery if the characters are all boring humans. Briggs also writes fantasy, and I do have Dragon Bones to read, but I think I'll work my way through this series first. Veeeeery curious about book 2, Blood Bound. I hope annoying obstacles aren't thrown in to keep her and Adam from having a real relationship. That's such a cheap television trick and it's even worse when used in books, like in Alyson Noël's YA Immortals series (Evermore etc.).
Mercy knows how to deal with the werewolves - after all, she's a coyote shifter who was fostered by a werewolf family in the heart of the Marrok's own pack (the Marrok being the leader of all the werewolves in North America). So when a boy comes to her garage looking for work, she can instantly tell a few things about him: one, that he's a newly changed werewolf; two, that he doesn't have control yet; and three, that he doesn't belong to Adam's pack. Her suspicions escalate when two men, a poorly trained werewolf and a human, turn up at night to take the kid, Mac, away.
No sooner has she got Mac safe at Adam's then the Alpha's own home is attacked and his teenage daughter Jesse kidnapped. Mercy has good instincts, and a good chance of finding Jesse - but there's a lot more going on here than a simple kidnapping, and Mercy is soon risking her own life to get to the truth.
I'm torn between absolutely loving this and giving it five stars, and holding back a bit on four. It seems unfair to give this four when I gave Dead Until Dark five. So I will probably change my mind a few times.
This book reminded me more of Kelley Armstrong's Women of the Underworld series (Bitten etc.) than of Sookie Stackhouse, but really it falls somewhere in-between. All three series are set in a present-day world full of magical and supernatural beings: werewolves, vampires, fae and fairies, mind-readers and so on. In all three, the supernatural are either "out of the closet" or thinking about it - oh except for Armstrong I think, though I've only read two books in the series so far. All three feature a female protagonist who's somewhat supernatural herself: Elena in Bitten is a werewolf, Mercy is a coyote-shifter, Sookie is a telepath. They each attract some powerful, sexy men and they each get caught up in some nasty underworld business. Hence the Urban Fantasy tag.
Of the three my favourite so far is Elena/Women of the Underworld, but only because it's just that much darker, more dangerous, and the books are longer so you can get more involved in the story, characters and world. The Sookie books are short, but this was even shorter. However, it was also tightly plotted and finely structured, so it didn't feel particularly short. It is a teaser, though. Just as you're really getting into it, it ends and you're left with air and that compulsion to go out and grab the next book pronto. So that does put it firmly in the "Loved it!" camp.
Mercy is no goody-goody, which sometimes Sookie is too much of, and she stands up to the domineering, aggressive men (though, with the werewolves especially, she also knows when it's not the time). She has a loner streak, especially since the females in the packs tend to hate her. I don't feel like I know all that much about her, and I was confused about what she is exactly - she says she is a "walker", which "is derived from 'skinwalker', a witch of the Southwest Indian tribes who uses a skin to turn into a coyote or some other animal and goes around causing disease and death." (p.4) That was as much of an explanation as we get, perhaps because walkers are a rare breed and she doesn't know much about her inheritance herself. She's descended on her father's side from Native Americans, and she's immune to some kinds of magic, like some vampire magic, and her ancestors used to hunt the supernatural. I hope her magic is explained more over the series because I'd like to understand it better.
I loved Adam - his magnetic charisma just jumped off the page, and when he first appears and Mercy's describing him, ending with how he was a bit scary, I certainly felt that too. It added an edge of danger and unpredictability to the story, balanced by the joke between Mercy and Jesse about the car that spoils his view (every time he pisses her off she thinks up something new to do to it, like remove a few wheels, paint graffiti on it - it made me laugh), and by the moments of sweetness. He's a scary, sleek-looking Alpha werewolf who hides his liking for Mercy behind threats to her cat. The news that he keeps a photo of Mercy in his bedroom could have been creepy but just made me go "awwwwwww"!
The story focuses on werewolf politics but there's a bit of vampire in there too - the vampire part was really confusing and it seemed like a bit of a plot hole; I have no idea what was going on there, unless it was nothing more than what we saw and heard about. I am a bit perplexed at all the "don't swear in front of the lady" nonsense - people are dying and you're worried about swearing? I just find it patronising.
These paranormal urban fantasy books are really the closest I get to reading mystery-crime-thriller-suspense; I can't enjoy a good mystery if the characters are all boring humans. Briggs also writes fantasy, and I do have Dragon Bones to read, but I think I'll work my way through this series first. Veeeeery curious about book 2, Blood Bound. I hope annoying obstacles aren't thrown in to keep her and Adam from having a real relationship. That's such a cheap television trick and it's even worse when used in books, like in Alyson Noël's YA Immortals series (Evermore etc.).
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Actually, yeah, I read Guilty Pleasures (and hated it) and did spot some similarities there too - not too strong I thought, but shades. Considering how much I detested the first Anita Blake book though, you've now got me worried about Blood Bound!
I love the Mercy Thompson series so far, I think it is very well-written. All of the books have been great IMO.
I, admittedly, have not read the Anita Blake series, but I think the Mercy series would only share the same characteristics with Anita Blake that it would with any UF, i.e. paranormal beasties, a love triangle, and a butt-kicking heroine. That's about it, LOL. No one does wolves quite like Briggs either. She brings out their primitiveness. Briggs' books never involve much sex either.
Yeah, I was really afraid for a while that she was going to go down that road and I'd have to give it up like I did the Anita Blake ones, but she's held off so far.
Glad you liked this one, Shannon. You're making me want to read Iron Kissed now, LOL. I could devote a shrine to Adam.
LOL. I agree, Armstrong's series is darker, but I never continued with it because there wasn't anymore of Clay. :(
NO MORE CLAY??!! Aw no, don't tell me that! I've only read the first two but I bought the next three, I know Elena comes and goes but I would have thought, where she goes, Clay goes too? I picked up Blood Bound - that's #2 isn't it? The titles all have a similar ring to them I get them muddled - and I'm very glad to hear there's more Adam. Mmmmmmmmm ...
Shannon wrote: "NO MORE CLAY??!! Aw no, don't tell me that! I've only read the first two but I bought the next three, I know Elena comes and goes but I would have thought, where she goes, Clay goes too? I picked..."
Lots more Adam in all the books! Yes, Blood Bound is next.
Shannon wrote: "NO MORE CLAY??!!..."LOL. Well, I think there's a few more books, Stolen and Frostbitten, I believe, where they show up, but I don't think the focus is on their relationship anymore. Someone correct me if I'm wrong.
Btw, if you want a visual of Adam it might be worth it to pick up Homecoming, her graphic novel, although I'll warn you, there's not much else to recommend it. I love her fantasy novels. I hope you enjoy them.
Also.. Shannon wrote: "These paranormal urban fantasy books are really the closest I get to reading mystery-crime-thriller-suspense; I can't enjoy a good mystery if the characters are all boring humans."
Me too, LOL.
Great review, Shannon. As I was reading this book, I saw the parallels between her world and Kelley Armstrong's world. Some of their settings are almost identical - Moon Called and Waking the Witch are in the same general area. I didn't see the same parallels with Sookie's world, just because now I see the TV series world and I find that the characters in Sookie's world are a lot more eccentric than Brigg's or Armstrong's characters. But that's just my opinion....


As you've mentioned, there are any number of urban fantasies like this one, not excluding the series I felt it was truly aping, the Anita Blake, Vampire Hunter Guilty Pleasures, Volume 1 series. If you don't see the connection but have read any of the Anita Blake series, wait until the next Mercy Thompson book, and it becomes pretty obvious.