Jason's Reviews > Amusing Ourselves to Death: Public Discourse in the Age of Show Business

Amusing Ourselves to Death by Neil Postman
My rating:
didn't like it it was ok liked it really liked it it was amazing
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1169454
's review
Nov 05, 11

5 of 5 stars
bookshelves: culture, education
Read from October 27 to November 05, 2011

The problems Neil Postman wrote about in Amusing Ourselves to Death have been exacerbated in the 26 years since its publication. Postman posited that, at least in the western world, Aldous Huxley's Brave New World (what we love will ruin us) -- not George Orwell's 1984 (what we hate will ruin us) -- was right.

Everything in our culture "has been transformed into congenial adjuncts of show business." This not only affects how we converse and receive information, but how we think, and not in a good way. In short, technology is not neutral; television is destroying us. (Undoubtedly, Postman would say the internet is only making matters worse, if possible, for he begins his attack against the telegraph as having introduced "large scale irrelevance, impotence, and incoherence.")

Postman is not against entertainment (including television) altogether, he is against religion as entertainment. And politics as entertainment. He is against the way in which our image and video based culture has replaced our print-based culture, for the form of the medium -- in moderns times, the pervasive medium of television -- affects the content.

Postman applies his thesis to politics, religions, news, commerce, and education. Think Billy Graham versus George Whitfield. Think about what we call political debates today versus the Lincoln - Douglas debates. "You cannot do political philosophy on television. Its form works against the content." As a result, "the content of much of our public discourse has become dangerous nonsense."

Television does this in a number of ways, including stripping away historical context, "ma[king] entertainment itself the natural format for the representation of all experience," and inserting discontinuities that undermine coherence (e.g., a news report about war followed immediately by a report of a celebrity arrest).

If you are reading this book review about a book that promotes the virtues of a print-based culture, you may have already convinced yourself that television does more harm than good. If so, Postman's book will provide further clarity to your conviction. If not, you will never view television (or, frankly, the telegraph or newspapers) the same after reading this book.

The only thing missing from the book is a solution, though Postman is pessimistic that there is one. I share his pessimism, except at the family level.

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Quotes Jason Liked

Neil Postman
“People of a television culture need “plain language” both aurally and visually, and will even go so far as to require it in some circumstances by law. The Gettysburg Address would probably have been largely incomprehensible to a 1985 audience.”
Neil Postman, Amusing Ourselves to Death: Public Discourse in the Age of Show Business

Neil Postman
“It would be a serious mistake to think of Billy Graham or any other television revivalist as a latter-day Jonathan Edwards or Charles Finney. Edwards was one of the most brilliant and creative minds ever produced by America. His contribution to aesthetic theory was almost as important as his contribution to theology. His interests were mostly academic; he spent long hours each day in his study. He did not speak to his audiences extemporaneously. He read his sermons, which were tightly knit and closely reasoned expositions of theological doctrine”
Neil Postman, Amusing Ourselves to Death: Public Discourse in the Age of Show Business

Neil Postman
“television’s way of knowing is uncompromisingly hostile to typography’s way of knowing; that television’s conversations promote incoherence and triviality; that the phrase “serious television” is a contradiction in terms; and that television speaks in only one persistent voice—the voice of entertainment”
Neil Postman, Amusing Ourselves to Death: Public Discourse in the Age of Show Business

Neil Postman
“[It] is not that television is entertaining but that it has made entertainment itself the natural format for the representation of all experience. […] The problem is not that television presents us with entertaining subject matter but that all subject matter is presented as entertaining. (87)”
Neil Postman, Amusing Ourselves to Death: Public Discourse in the Age of Show Business

Neil Postman
“I do not mean to imply that television news deliberately aims to deprive Americans of a coherent, contextual understanding of their world. I mean to say that when news is packaged as entertainment, that is the inevitable result. And in saying that the television news show entertains but does not inform, I am saying something far more serious than that we are being deprived of authentic information. I am saying we are losing our sense of what it means to be well informed.”
Neil Postman, Amusing Ourselves to Death: Public Discourse in the Age of Show Business

Neil Postman
“Parents embraced “Sesame Street” for several reasons, among them that it assuaged their guilt over the fact that they could not or would not restrict their children’s access to television. “Sesame Street” appeared to justify allowing a four- or five-year-old to sit transfixed in front of a television screen for unnatural periods of time. Parents were eager to hope that television could teach their children something other than which breakfast cereal has the most crackle. At the same time, “Sesame Street” relieved them of the responsibility of teaching their pre-school children how to read—no small matter in a culture where children are apt to be considered a nuisance.... We now know that “Sesame Street” encourages children to love school only if school is like “Sesame Street.” Which is to say, we now know that “Sesame Street” undermines what the traditional idea of schooling represents.”
Neil Postman, Amusing Ourselves to Death: Public Discourse in the Age of Show Business


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