Joe's Reviews > The War of the Worlds
The War of the Worlds
by H.G. Wells
by H.G. Wells
I acknowledge that I am one of the few people who actually enjoyed the recent "War of the Worlds" movie. The reason for this has to do more with the original book than Tom Cruise or Steven Speilburg's tendency to wittle everything, including alien attacks, down to simple family problems. In a lot of ways, "War of the Worlds" (2006) was a close to dead-on adaptation of the original Victorian novel.
Just a few words on why you should like, or if you don't like, respect "War of the Worlds" as a movie:
It avoids alien movie cliches:
1. There are no characters (Presidents, generals, etc.) who tell you what is going on on a global scale--all information is through rumors.
2. You do not see a major city destroyed nor any iconic landmarks.
3. Instead of humanity banding together to defeat a common foe, the characters and others they interact with are left increasingly fragmented and isolated.
That being said, Speilburg's "War of the Worlds" adapts much of the plot line and themes from the original novel. Instead of the 1950s version which pits a united front against the aliens (Cold War adapted), the original Victorian novel has a character travel isolated. Wells' narrater, like Tom Cruise, finds himself on a ferry-crossing, holed up with a panicked priest (who conflated with the artillery-man, provides us with a freaky Tim Robbins. Robbins even shares a few lines with the artillery-man). The ending is much the same, a kind of "Now what?" sense pervades. And of course, Morgan Freeman's opening and closings, are practically word by word from the novel.
The movie is also a great window into some of the novel's most important themes. "War of the Worlds," is a very Post-9/11 movie. There is the dust, the annhilation of things we find familiar, clothing floats from the sky in mimic of office paper...There is a pervading fear of complete and nonsensical annhiliation. Whereas the 1950s adaption pits humanity against an enemy, the updated version worries itself with unknown enemies who spring from the ground. And, Speilburg, not one to be subtle, has Dakota Fanning ask Tom Cruise, "Is it the terrorists?"
That being said, the Victorian novel is a catelogue of Victorian anxieties. This is the age of colonialism, afterall, and suddenly England is beset by a much more powerful force, unexpected, and completely foreign. 'Reverse' colonialism? The aliens take England's resources, kill off its people, and even cover the landscape with alien plant-life.
And perhaps the most over-arching anxiety of all: Darwin. Here we have evolution at its cruelest; then consume us (drinking our blood like in Bram Stoker's Dracula). Just when humanity seems at its lowest, nature kicks in and saves the day. The ending seems anti-climatic now, but you have to remember that H.G. Wells did not have a pop-reference that included Will Smith destroying the mother-ship.
So my point is, "War of the Worlds" is an amazing book and good movie, and one can inform the other.
"This is not a war any more than it's a war between men and ants."
Just a few words on why you should like, or if you don't like, respect "War of the Worlds" as a movie:
It avoids alien movie cliches:
1. There are no characters (Presidents, generals, etc.) who tell you what is going on on a global scale--all information is through rumors.
2. You do not see a major city destroyed nor any iconic landmarks.
3. Instead of humanity banding together to defeat a common foe, the characters and others they interact with are left increasingly fragmented and isolated.
That being said, Speilburg's "War of the Worlds" adapts much of the plot line and themes from the original novel. Instead of the 1950s version which pits a united front against the aliens (Cold War adapted), the original Victorian novel has a character travel isolated. Wells' narrater, like Tom Cruise, finds himself on a ferry-crossing, holed up with a panicked priest (who conflated with the artillery-man, provides us with a freaky Tim Robbins. Robbins even shares a few lines with the artillery-man). The ending is much the same, a kind of "Now what?" sense pervades. And of course, Morgan Freeman's opening and closings, are practically word by word from the novel.
The movie is also a great window into some of the novel's most important themes. "War of the Worlds," is a very Post-9/11 movie. There is the dust, the annhilation of things we find familiar, clothing floats from the sky in mimic of office paper...There is a pervading fear of complete and nonsensical annhiliation. Whereas the 1950s adaption pits humanity against an enemy, the updated version worries itself with unknown enemies who spring from the ground. And, Speilburg, not one to be subtle, has Dakota Fanning ask Tom Cruise, "Is it the terrorists?"
That being said, the Victorian novel is a catelogue of Victorian anxieties. This is the age of colonialism, afterall, and suddenly England is beset by a much more powerful force, unexpected, and completely foreign. 'Reverse' colonialism? The aliens take England's resources, kill off its people, and even cover the landscape with alien plant-life.
And perhaps the most over-arching anxiety of all: Darwin. Here we have evolution at its cruelest; then consume us (drinking our blood like in Bram Stoker's Dracula). Just when humanity seems at its lowest, nature kicks in and saves the day. The ending seems anti-climatic now, but you have to remember that H.G. Wells did not have a pop-reference that included Will Smith destroying the mother-ship.
So my point is, "War of the Worlds" is an amazing book and good movie, and one can inform the other.
"This is not a war any more than it's a war between men and ants."
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Quotes Joe Liked
“This isn't a war," said the artilleryman. "It never was a war, any more than there's war between man and ants.”
― H.G. Wells, The War of the Worlds
― H.G. Wells, The War of the Worlds
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Jacqueline
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rated it 4 stars
Nov 22, 2010 10:45pm
So true Joe! I enjoyed it also!
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I REALLY love the entire story a d I like it that the movie stayed very close to the book, however I think that it would have been cool to have the movie filmed in that time period you know? The only very small mishap in the story is that I wished that H.G. Wells would have elaborated more on that red weed that eventually killed the Martians and their tripods. I was left guessing what that weed was, how it got there, what it's symbolic meaning is to the story you know?
Great review. I watched the Tom Cruise movie before reading the book, and also was struck by how closely they followed the storyline (though not the setting).Olga, the red weeds were brought by the martians, the narrarator states he doesn't know if they were brought on purpose or were just hitchhikers. Think of all tue non-native plants and animals the europeans brought to the Americas. The weeds didn't kill the martians, it was Earth based microbes.
Tim wrote: "Great review. I watched the Tom Cruise movie before reading the book, and also was struck by how closely they followed the storyline (though not the setting).Olga, the red weeds were brought by ..."
Thanks! I appreciate it.
Another note on the weeds: In the original novel, they actually grow because they are feeding off of human blood. There is an odd vampiric kind of alien nature feeding off of human society. Lots of blood-swapping in Victorian novels (Dracula most obviously).

