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Mirror Mirror: A Novel
by Gregory Maguire

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<a href="http://www.goodreads.com/book/show/15858.Mirror_Mirror_A_Novel?utm_medium=api&amp;utm_source=blog_review" style="float: left; padding-right: 20px"><img alt="Mirror Mirror: A Novel " border="0" src="http://s3.amazonaws.com/photo.goodreads.com/books/1185433887m/15858.jpg" /></a> <a href="http://www.goodreads.com/book/show/15858.Mirror_Mirror_A_Novel?utm_medium=api&utm_source=blog_review">Mirror Mirror: A Novel</a> by <a href="http://www.goodreads.com/author/show/7025.Gregory_Maguire">Gregory Maguire</a> 
 <a href="http://www.goodreads.com/review/show/21660431?utm_medium=api&utm_source=blog_review"><h3>My review</h3></a>
 rating: 1 of 5 stars Erin Gort
 Ms. Houseman
 H World Lit
 5 May 2008
 
 Gregory Maguire
 Mirror Mirror
 New York: Harper Collins, 2004
 280 pp. $16.00
 978-0-06-098865-4
 
 	 The novel “Mirror Mirror” was an immense letdown after reading “Wicked” and “Son of a Witch.” Gregory Maguire is noted for recreating or retelling previously created tales of fantasy. “Mirror Mirror” is the reinvented story of Snow White. Placed in the fantasy tale are Cesare and Lucrezia Borgia, the famous children of Pope. They plan the demise of Bianca De Nevada, the innocent and pure Snow White. The novel has difficult Italian vocabulary and requires history of Rome and the Borgia family. Maguire constantly changes the scene and character throughout the novel, leaving characters dull and undeveloped. These flaws in the writing cause the reader to be left bored and confused.
 	The requisite fairytale ingredients are present - magic mirror, dwarves, beautiful girl, evil authority figure, and random unicorn. But even with these, one is left disappointed by the fact that Maguire seems to devote more attention to the context and history of the story than to the story itself. Maguire clearly did a great amount of research for this book, and that should be applauded. Even so, the book left the reader longing for more fantasy and less history. Maguire interspersed his text with a great deal of Italian words and when you add that to his eclectic vocabulary. Stumbling over the pronunciation of half of the words was surely not helping the story flow, but unfortunately, the story already seemed incredibly disjointed and murky. Maguire’s usual love of the complex characters does not appear in this in this story, instead they were just unfathomable and flat. Many of the characters had great history behind them, but not enough detail and intrigue to enchant the novel. 
 The most one-dimensional character is the main character Bianca. She never is fully developed as an intriguing character because she spends most of the book asleep or suspended in time. As a symbol of innocence and purity, though, she is the center of the novel around which everything else revolves. She is forbidden to live her home on the farm. When talking with Cesare Borgia they discuss her view of the world outside of her view. She says, "I seldom leave the farm -- only once or twice to the village at the ford of the river a few miles on, and then only with my father. Years ago. This is world enough for me, up here. I play with the birds. I climb the apple trees. I used to try to make friends with the servant girls, but since my father left, they have gone away too. Primavera feeds me, and when he remembers, Fra Ludovico sees that I keep to my devotions. I've learned a few letters and I can write my name, some modest sentences. I can swim; the gooseboy taught me how. I milk the cows when the farmer is too drunk to come up the hill to do it. I collect the eggs and help pull beans from their runners and tomatoes from their vines. I help Primavera move the potted lemon trees into the limonaia for the winter. In the summer I pick oleander, lavender bells, and fennel for the shrine in the chapel wall. I watch the moon in its swelling and subsiding" (Maguire 86). Bianca is a dull and uninteresting character with nothing to intrigue the reader or leave them wanting more. She falls flat of Snow White, whose classic story at least kept the girl mysterious and captivating to the reader. What's the point in retelling a fairy tale if the retelling is as one-dimensional as the original story?
 Gregory Maguire does not live up to the praise and glory of “Wicked.” He left the reader utterly confused and bored. He simply goes too far into the background history and context of the characters that he deprives “Mirror Mirror” of a stimulating storyline for the reader. By using Italian terminology and foreign history Maguire damages his hopes of having another bestseller. He leaves the characters without a life that attention-grabbing and unique, boring the reader and leaving the book unsatisfying.
 
 <a href="http://www.goodreads.com/review/list/667082?utm_medium=api&utm_source=blog_review">View all my reviews.</a>

Erin's review
rating:
recommended for: anyone who likes roman history

Erin Gort
Ms. Houseman
H World Lit
5 May 2008

Gregory Maguire
Mirror Mirror
New York: Harper Collins, 2004
280 pp. $16.00
978-0-06-098865-4

The novel “Mirror Mirror” was an immense letdown after reading “Wicked” and “Son of a Witch.” Gregory Maguire is noted for recreating or retelling previously created tales of fantasy. “Mirror Mirror” is the reinvented story of Snow White. Placed in the fantasy tale are Cesare and Lucrezia Borgia, the famous children of Pope. They plan the demise of Bianca De Nevada, the innocent and pure Snow White. The novel has difficult Italian vocabulary and requires history of Rome and the Borgia family. Maguire constantly changes the scene and character throughout the novel, leaving characters dull and undeveloped. These flaws in the writing cause the reader to be left bored and confused.
The requisite fairytale ingredients are present - magic mirror, dwarves, beautiful girl, evil authority figure, and random unicorn. But eve...more Erin Gort
Ms. Houseman
H World Lit
5 May 2008

Gregory Maguire
Mirror Mirror
New York: Harper Collins, 2004
280 pp. $16.00
978-0-06-098865-4

The novel “Mirror Mirror” was an immense letdown after reading “Wicked” and “Son of a Witch.” Gregory Maguire is noted for recreating or retelling previously created tales of fantasy. “Mirror Mirror” is the reinvented story of Snow White. Placed in the fantasy tale are Cesare and Lucrezia Borgia, the famous children of Pope. They plan the demise of Bianca De Nevada, the innocent and pure Snow White. The novel has difficult Italian vocabulary and requires history of Rome and the Borgia family. Maguire constantly changes the scene and character throughout the novel, leaving characters dull and undeveloped. These flaws in the writing cause the reader to be left bored and confused.
The requisite fairytale ingredients are present - magic mirror, dwarves, beautiful girl, evil authority figure, and random unicorn. But even with these, one is left disappointed by the fact that Maguire seems to devote more attention to the context and history of the story than to the story itself. Maguire clearly did a great amount of research for this book, and that should be applauded. Even so, the book left the reader longing for more fantasy and less history. Maguire interspersed his text with a great deal of Italian words and when you add that to his eclectic vocabulary. Stumbling over the pronunciation of half of the words was surely not helping the story flow, but unfortunately, the story already seemed incredibly disjointed and murky. Maguire’s usual love of the complex characters does not appear in this in this story, instead they were just unfathomable and flat. Many of the characters had great history behind them, but not enough detail and intrigue to enchant the novel.
The most one-dimensional character is the main character Bianca. She never is fully developed as an intriguing character because she spends most of the book asleep or suspended in time. As a symbol of innocence and purity, though, she is the center of the novel around which everything else revolves. She is forbidden to live her home on the farm. When talking with Cesare Borgia they discuss her view of the world outside of her view. She says, "I seldom leave the farm -- only once or twice to the village at the ford of the river a few miles on, and then only with my father. Years ago. This is world enough for me, up here. I play with the birds. I climb the apple trees. I used to try to make friends with the servant girls, but since my father left, they have gone away too. Primavera feeds me, and when he remembers, Fra Ludovico sees that I keep to my devotions. I've learned a few letters and I can write my name, some modest sentences. I can swim; the gooseboy taught me how. I milk the cows when the farmer is too drunk to come up the hill to do it. I collect the eggs and help pull beans from their runners and tomatoes from their vines. I help Primavera move the potted lemon trees into the limonaia for the winter. In the summer I pick oleander, lavender bells, and fennel for the shrine in the chapel wall. I watch the moon in its swelling and subsiding" (Maguire 86). Bianca is a dull and uninteresting character with nothing to intrigue the reader or leave them wanting more. She falls flat of Snow White, whose classic story at least kept the girl mysterious and captivating to the reader. What's the point in retelling a fairy tale if the retelling is as one-dimensional as the original story?
Gregory Maguire does not live up to the praise and glory of “Wicked.” He left the reader utterly confused and bored. He simply goes too far into the background history and context of the characters that he deprives “Mirror Mirror” of a stimulating storyline for the reader. By using Italian terminology and foreign history Maguire damages his hopes of having another bestseller. He leaves the characters without a life that attention-grabbing and unique, boring the reader and leaving the book unsatisfying.
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