Loren's Reviews > Watership Down
Watership Down
by Richard Adams
by Richard Adams
Adapted from ISawLightningFall.blogspot.com
Watership Down has a lot in common with the ancient epics. In it, a lone warrior leads a band of harried outcasts into the wilderness in search of a home. They’re aided by a seer who can touch the future with his dreams. They face perilous quests and hair-breadth escapes, ferocious foes and desperate siege assaults. But unlike the works of Homer and Virgil, Watership Down is also about rabbits. Which is appropriate, as almost all of its characters are rabbits.
Most four-footed protagonists in literature have been little more than humans with fur. (Think Stuart Little or Redwall.) But Adams takes a very different tack, which is evident from the get-go. The tale begins with two young rabbits named Hazel and Fiver living in a peaceful warren ruled by an old veteran named the Threarah. Scrawny, meditative Fiver has premonitions of doom falling on them all, a doom that will stain the fields with rabbit blood. But when the Threarah ignores Fiver’s counsel, Hazel decides to rouse anyone he can and flee. The two are joined by Bigwig (a massive bruiser once part of the Threarah’s personal guard), Dandelion (a storyteller par excellence), Blackberry (the smart-as-a-whip innovator) and Pipkin (a loyal but timid runt). When the Threarah’s minions discover their plans, the motley crew must plunge into the wilds under threat of death.
Adams’ break with Disney-esque anthropomorphizing becomes even more apparent in the culture he created for his rabbits. Much like Tolkien did in The Lord of the Rings, Adams created a language with its own detailed grammar and vocabulary. An example: Fiver’s true name, Hrairoo, comes from hrair, the term for any number over four, which is how high rabbits can count. They call these greater sums "thousand," and Fiver's name literally means "little thousand." He was so christened because he was small and one of the last born in his litter. Other words that crop up -- including elil (“predators”), silflay (“to graze”) and narn (“something good to eat”) -- possess equally detailed explanations. Frith, the word for the sun, is particularly interesting since it contains religious connotations. The rabbits, you see, are sun worshippers. They adore Lord Frith and the first rabbit he created, El-ahrairah, whose mischievous exploits get recounted several times in detail and who would put Odysseus to shame with his inventiveness.
Part of the joy of reading Watership Down lies in not only in its mythological color, but in letting yourself be carried along by every twist and turn of the plot, which is half adventure and half thriller (with a smattering of British botany, warren geography and seagull dialect thrown in to keep things interesting). If you find it hard to believe that it could be a coherent read with so many disparate elements (much less an entertaining one), join the crowd. It took months of nagging from a friend to get me to crack its cover. But it most certainly works, which is a testimony to Adams’ skill, as is the fact that when you reach the final page, you’ve begun to feel that Hazel and his friends are every bit as courageous as Achilles or Aeneas -- no matter the length of their ears.
Watership Down has a lot in common with the ancient epics. In it, a lone warrior leads a band of harried outcasts into the wilderness in search of a home. They’re aided by a seer who can touch the future with his dreams. They face perilous quests and hair-breadth escapes, ferocious foes and desperate siege assaults. But unlike the works of Homer and Virgil, Watership Down is also about rabbits. Which is appropriate, as almost all of its characters are rabbits.
Most four-footed protagonists in literature have been little more than humans with fur. (Think Stuart Little or Redwall.) But Adams takes a very different tack, which is evident from the get-go. The tale begins with two young rabbits named Hazel and Fiver living in a peaceful warren ruled by an old veteran named the Threarah. Scrawny, meditative Fiver has premonitions of doom falling on them all, a doom that will stain the fields with rabbit blood. But when the Threarah ignores Fiver’s counsel, Hazel decides to rouse anyone he can and flee. The two are joined by Bigwig (a massive bruiser once part of the Threarah’s personal guard), Dandelion (a storyteller par excellence), Blackberry (the smart-as-a-whip innovator) and Pipkin (a loyal but timid runt). When the Threarah’s minions discover their plans, the motley crew must plunge into the wilds under threat of death.
Adams’ break with Disney-esque anthropomorphizing becomes even more apparent in the culture he created for his rabbits. Much like Tolkien did in The Lord of the Rings, Adams created a language with its own detailed grammar and vocabulary. An example: Fiver’s true name, Hrairoo, comes from hrair, the term for any number over four, which is how high rabbits can count. They call these greater sums "thousand," and Fiver's name literally means "little thousand." He was so christened because he was small and one of the last born in his litter. Other words that crop up -- including elil (“predators”), silflay (“to graze”) and narn (“something good to eat”) -- possess equally detailed explanations. Frith, the word for the sun, is particularly interesting since it contains religious connotations. The rabbits, you see, are sun worshippers. They adore Lord Frith and the first rabbit he created, El-ahrairah, whose mischievous exploits get recounted several times in detail and who would put Odysseus to shame with his inventiveness.
Part of the joy of reading Watership Down lies in not only in its mythological color, but in letting yourself be carried along by every twist and turn of the plot, which is half adventure and half thriller (with a smattering of British botany, warren geography and seagull dialect thrown in to keep things interesting). If you find it hard to believe that it could be a coherent read with so many disparate elements (much less an entertaining one), join the crowd. It took months of nagging from a friend to get me to crack its cover. But it most certainly works, which is a testimony to Adams’ skill, as is the fact that when you reach the final page, you’ve begun to feel that Hazel and his friends are every bit as courageous as Achilles or Aeneas -- no matter the length of their ears.
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Olivia
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rated it 5 stars
Aug 30, 2010 12:07am
i love the way you talk about this book. it had a massive impact on me when i was a little girl. i haven't read it in many years, but i intend to rectify this grievous mistake as soon as i can get to a library.
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