Ryan G's Reviews > The Lantern

The Lantern by Deborah Lawrenson
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's review
Aug 31, 11

bookshelves: no-longer-own

This is going to be one of those reviews that's heavily influenced by the amount of time passed between finishing the book and writing the review. If I had sat down to write this review a day or two after finishing the book, it would have been a blabbering mess of praise and worship I'm not sure a word of it would have been coherent, but it would have been glowing none the less. This will still be a positive review, simply because I did enjoy the books, it just won't be the overtly exuberant.

The first thing that I noticed, right off the bat, was how wonderfully descriptive Deborah Lawrenson is with her writing. There was never a time I did not have a crystal clear picture of the setting in my head. She made the sights and smells of Provence come to life and leap off the page. I could see every petal and stem growing in the garden. I could witness the eerie glow of the lantern as it's light danced in the darkness. I could touch the rough floor tiles, as Eve struggled to be rid of a reddish brown stain that refused to budge. There was even a moment where I thought I could smell a touch of lavender wafting through the air of my living room. I got lost in the sensory elements of the book so often, I would forget it was only a book.

It was that sensory overload that allowed me to buy into the storyline and care about Eve and Benedicte as their stories were told. These two women were separated by decades, but both seemed to be trapped in circumstances out of their control. The past would not leave either of them alone and death seemed to be a constant companion. They both had to deal with family secrets that threatened to destroy the lives they were trying to build. I cared about both of them and was horrified by the events that threatened to consume one of them.

As much as I loved the setting, characters, and atmosphere of the book, two aspects of it got on my nerves a bit. The narrative choice was a bit confusing for me at first. When we first meet Benedicte, she feels like a ghost that never managed to leave the farm. Throughout the rest of the book she reads as an ghost or an elderly woman remembering the past. It's not until the end that I understood she was both of those things, but not at the same time. The way her voice was interjected into narrative was an interesting choice and not one I think I've seen used before. I'm just not sure it worked for me.

My other quibble was with the modernism of it all. I'm just not sold on the idea that a gothic story works as well set in the present. In an age of internet and cell phones I found myself not believing the way Eve was finding out the information she was seeking. When she went to a internet cafe to look up Rachael, Dom's former wife, she found stories Rachael had published in magazines, but nothing else about her life or death. There is no way a published writer could pass away without someone writing an obituary, an obituary that would be found in a google search. The modern era (technology) robs some of the mystery away from the story. It's makes that sense of foreboding and danger, a little light.

Despite my issues with the story, issues I may not have thought of had I wrote the review earlier, I enjoyed the book immensely. Over the course of the last year, I have found myself getting lost in the gothic world, and I'm loving it. My only regret, is not diving in earlier. Hopefully, I will be moving on to Rebecca by Daphne Du Maurier soon, since it's listed as an inspiration for The Lantern.

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