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    <user id="468520">
    <name><![CDATA[Katie]]></name>
    <location><![CDATA[The United States]]></location>        
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      <rating>2</rating>
  <votes>1</votes>
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  <read_at>Tue Apr 01 00:00:00 -0700 2008</read_at>
  <date_added>Wed Apr 16 08:15:42 -0700 2008</date_added>
  <date_updated>Wed Apr 23 06:31:40 -0700 2008</date_updated>
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    <body><![CDATA[I tried very hard to get into this, because, frankly, I had judged this book by its cover. It's an excellent cover, to be fair - all revolving cogs and wheels and jubilant aristocrats striking curious poses. Too bad the book itself is such a disappointment. It takes a wonderful story from history - the making of a chess-playing automaton, which was in reality an elaborate hoax - and turns it into a textbook thriller, with characters who aren't particularly interesting or memorable, and without any of the whimsy or steampunk one would hope to get out of such a topic. The main character is a dwarf who is a chess genius, and the real brains behind the automaton, but he is just as dull a character as the rest, vacillating between mindless religiosity and mindless sexual appetite. Not even in funny or interesting way. I had to put it down halfway through because the plot was plodding along far too predictably.<br/><br/>The one thing I did think was handled well was the dwarf's friendship with a Jewish craftsman who had helped to build the automaton. At first the dwarf was really freaked out by the fact the guy was Jewish, and found all sorts flaws and annoyances in his character, and tried to avoid him. Gradually they're thrown together enough that he comes to tolerate him and eventually they became close friends. There was no sudden, modern epiphany of &quot;And so, the dwarf realized Jews really were okay after all!&quot; - it just sort of quietly happens behind scenes, which I felt was much more realistic for the time period.]]></body>
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