Brad's Reviews > Macbeth
Macbeth
by William Shakespeare
by William Shakespeare
I like to come at Macbeth from an historical perspective, a perspective where Macbeth and Lady Macbeth are not anti-heroes, but heroes of the highest order.
How is that possible you ask? Because Macbeth is taking what is rightfully his.
Modern audiences, and perhaps even audiences in Shakespeare's day (although that seems unlikely since they would have had a greater everyday knowledge of the power structures of Scottish clans), look at Macbeth as the story of power corrupting absolutely. We see it as a story where a man's ambition overrides his goodness, and his callous regicide justly destroys himself, his Lady and everything they have built.
It is a comfortable reading for us. It supports our current belief in good and evil as absolutes, and it allows us to see Duncan as a benevolent leader, Banquo as a victim and Malcolm and Macduff as righteous avengers. It fits our view of the world.
But this reading hurts the complexity that is Macbeth, and it dissolves what makes Macbeth my favourite Shakespearean tragedy -- the tragedy itself.
There is little tragic in the fall of Macbeth and Lady Macbeth if we follow the ill-informed modern reading. They get what they deserve. They commit murder, they make a grab for power, they pay the price. We cannot pity them. And it is difficult to care for them.
But consider the historical context and this reading is tipped on its side like a sacred cow in a dusty field of moonlight.
Macbeth, as the next most powerful Thane, is next in line for Duncan's crown. It is his right. It is the way of Scottish accession. Duncan simply has no right to declare Malcolm the heir, and to do so immediately following Macbeth's greatest victory is both an insult and a challenge.
Moreover, once all others back Malcolm and place themselves against Macbeth they are committing high treason.
Should Macbeth have assassinated King Duncan? Probably not (although the alternative would have been civil war and is killing one King more criminal than being responsible for the death of thousands?), but therein lies the strength of Shakespeare's play. Macbeth and his Lady feel overwhelming guilt, and their killing of Duncan tears them apart. Not because it is what they deserve, but because they are fundamentally virtuous people who made a decision that, even righteous, wounded them as deeply as it wounded those around them.
Taken within the context of Scottish accession, the play becomes much deeper and more meaningful. The conflicts of all the characters are muddied, the right and wrong becomes a worrisome mess, the tragedy deepens, and Macbeth and his Lady become honorable people who make a difficult choice that ultimately undermines their own values. This also suggests that the Witches and the supernatural are not some crazed deus ex machina that makes Macbeth's fate inevitable, but a form of chorus that plants seeds of understanding in the minds of the audience and Macbeth.
It's a great play even if the historical context is ignored, but how much greater is it when the historical context is restored? I feel it becomes a match for Lear and Hamlet. Re-read it and see what you think.
How is that possible you ask? Because Macbeth is taking what is rightfully his.
Modern audiences, and perhaps even audiences in Shakespeare's day (although that seems unlikely since they would have had a greater everyday knowledge of the power structures of Scottish clans), look at Macbeth as the story of power corrupting absolutely. We see it as a story where a man's ambition overrides his goodness, and his callous regicide justly destroys himself, his Lady and everything they have built.
It is a comfortable reading for us. It supports our current belief in good and evil as absolutes, and it allows us to see Duncan as a benevolent leader, Banquo as a victim and Malcolm and Macduff as righteous avengers. It fits our view of the world.
But this reading hurts the complexity that is Macbeth, and it dissolves what makes Macbeth my favourite Shakespearean tragedy -- the tragedy itself.
There is little tragic in the fall of Macbeth and Lady Macbeth if we follow the ill-informed modern reading. They get what they deserve. They commit murder, they make a grab for power, they pay the price. We cannot pity them. And it is difficult to care for them.
But consider the historical context and this reading is tipped on its side like a sacred cow in a dusty field of moonlight.
Macbeth, as the next most powerful Thane, is next in line for Duncan's crown. It is his right. It is the way of Scottish accession. Duncan simply has no right to declare Malcolm the heir, and to do so immediately following Macbeth's greatest victory is both an insult and a challenge.
Moreover, once all others back Malcolm and place themselves against Macbeth they are committing high treason.
Should Macbeth have assassinated King Duncan? Probably not (although the alternative would have been civil war and is killing one King more criminal than being responsible for the death of thousands?), but therein lies the strength of Shakespeare's play. Macbeth and his Lady feel overwhelming guilt, and their killing of Duncan tears them apart. Not because it is what they deserve, but because they are fundamentally virtuous people who made a decision that, even righteous, wounded them as deeply as it wounded those around them.
Taken within the context of Scottish accession, the play becomes much deeper and more meaningful. The conflicts of all the characters are muddied, the right and wrong becomes a worrisome mess, the tragedy deepens, and Macbeth and his Lady become honorable people who make a difficult choice that ultimately undermines their own values. This also suggests that the Witches and the supernatural are not some crazed deus ex machina that makes Macbeth's fate inevitable, but a form of chorus that plants seeds of understanding in the minds of the audience and Macbeth.
It's a great play even if the historical context is ignored, but how much greater is it when the historical context is restored? I feel it becomes a match for Lear and Hamlet. Re-read it and see what you think.
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I liked your review. I don't buy it (reasons below) but I liked your review because it did make me contend with my own interpretation of the play (which my Shakespeare group happens to be reading and it's why I came across this).
Why don't I buy it? Two reasons, one historical and the other from the play.
First, while it may be quite true that primogeniture was not well established in the Scotland of the real Macbeth's era, it was by Shakespeare's day. I don't know why Shakespeare would want to highlight your interpretation. Certainly not to call into question his patron James I's right to the throne (eldest son of Mary, Queen of Scots).
And, within the play, Macbeth is a surprised as anyone when the witches first hail him as king. As to him considering it his "right," I assume you're referring to the end of Act 1, scene 4, when Duncan names Malcolm his heir and Macbeth has seen two of the witches' prophecies come true. He stands aside and says: "The Prince of Cumberland! That is a step / On which I must fall down or else o'erleap, / For in my way it lies." At this point, Macbeth may feel he has a right to the throne but its based on his interpretation of the witches' prophecy, not because any thane could hope to ascend the throne.