Werner's Reviews > Ivanhoe
Ivanhoe
by Walter Scott
by Walter Scott
Werner's review
bookshelves: historical-fiction, classics
Jul 02, 08
bookshelves: historical-fiction, classics
Recommended for:
Fans of historical fiction in the Romantic style
Read in January, 1971
Obviously, this novel won't be every reader's cup of tea: the author's 19th-century diction will be too much of a hurdle for some, those who define novels of action and adventure as shallow will consider it beneath them, and those who want non- stop action will be bored by Scott's serious effort to depict the life and culture of his medieval setting. But those who appreciate adventure and romance in a well-realized setting, and aren't put off by big words and involved syntax, will find this a genuinely rewarding read.
Ivanhoe is a quintessentially Romantic novel, and that school stressed appeal to the reader's emotions rather than, or at least more so than, their intellects. But this does not mean it's devoid of a philosophical or moral point of view. Novels of action and combat appeal to emotions of fear and excitement, etc., but at their best, they often presuppose a code of conduct between humans that differentiates between good and evil, and cast the conflict in the story in those terms, with the writer on the side of good; and the various characters may model genuine virtues. This is definitely the case here. And the (small-r) romantic aspect of the plot in this book is not a simple tale of "boy falls for girl," either; the above description identifies Rowena as Ivanhoe's "true love," but in fact he comes to have very definite romantic feelings toward Rebecca as well, and the question of how how this triangle will be resolved contributes to the story's interest. Rebecca's character also brings an added depth to the novel --she's a strong, courageous lady who excels in a male-dominated profession in the midst of a sexist society (and the 19th-century culture of Scott's readers was scarcely less sexist than Rebecca's medieval world). Scott's treatment of her, as a Jewish character, also exemplifies genuine tolerance (in a much different sense than the inverted one popularized today, in which we simply proclaim ourselves as apostles of tolerance and hate and anathematize anyone who disagrees with us, because their different beliefs identify them as intolerant)
as an Anglican, he has honest differences with her religious beliefs, but he can enthusiastically affirm her as a person anyway, and, as an author, allow her to remain true to her own beliefs. So, there's a lot here for the discerning reader to appreciate!
Ivanhoe is a quintessentially Romantic novel, and that school stressed appeal to the reader's emotions rather than, or at least more so than, their intellects. But this does not mean it's devoid of a philosophical or moral point of view. Novels of action and combat appeal to emotions of fear and excitement, etc., but at their best, they often presuppose a code of conduct between humans that differentiates between good and evil, and cast the conflict in the story in those terms, with the writer on the side of good; and the various characters may model genuine virtues. This is definitely the case here. And the (small-r) romantic aspect of the plot in this book is not a simple tale of "boy falls for girl," either; the above description identifies Rowena as Ivanhoe's "true love," but in fact he comes to have very definite romantic feelings toward Rebecca as well, and the question of how how this triangle will be resolved contributes to the story's interest. Rebecca's character also brings an added depth to the novel --she's a strong, courageous lady who excels in a male-dominated profession in the midst of a sexist society (and the 19th-century culture of Scott's readers was scarcely less sexist than Rebecca's medieval world). Scott's treatment of her, as a Jewish character, also exemplifies genuine tolerance (in a much different sense than the inverted one popularized today, in which we simply proclaim ourselves as apostles of tolerance and hate and anathematize anyone who disagrees with us, because their different beliefs identify them as intolerant)
as an Anglican, he has honest differences with her religious beliefs, but he can enthusiastically affirm her as a person anyway, and, as an author, allow her to remain true to her own beliefs. So, there's a lot here for the discerning reader to appreciate!
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