This was really an essential text for me. I first read it shortly after it came out in the U.S. (1985) and it was like nothing I had ever come across before. A hydrogen-bomb of a novel. The sheer speed of the narrative, the word play, the telling detail. In short Money possessed the masterful technique that causes a narrative to jump from the page. Though "originality" we now know is something of a misnomer--every artist has his or her models and Amis has always been quite frank about his--nevertheless I have found no one who quite equals MA. He is unique. He makes it new, as the problematic Ezra Pound is famous for saying.