Rhiannon's Reviews > Cinderella Ate My Daughter: Dispatches from the Front Lines of the New Girlie-Girl Culture
Cinderella Ate My Daughter: Dispatches from the Front Lines of the New Girlie-Girl Culture
by Peggy Orenstein
by Peggy Orenstein
Rhiannon's review
bookshelves: nonfiction, lady-writer, read-in-2011, clubbies, its-a-gender-thing, someone-stole-this-from-me
Apr 12, 11
bookshelves: nonfiction, lady-writer, read-in-2011, clubbies, its-a-gender-thing, someone-stole-this-from-me
Recommended to Rhiannon by:
The Feminist Readers Network on Goodreads
Recommended for:
Mommys, Daddys, Pre-School Teachers?
Read from April 11 to 12, 2011
Here's the deal: The two stars - those are for me. To someone who has read a fair amount about children/gender and feminism in general, Orenstein does not offer anything new. If I was a new or future-mom, however, an average middle-class mom who hasn't read what could be considered a "feminist" book since college (or possibly never!), or just one who finds most children's toys essentially "harmless," I think this book could be a real eye-opener - I think it could easily deserve three or four stars...
The strong points of this book, in my opinion, are the author's voice, her ability to be concise, and the pace of the book itself. Orenstein can be a funny lady - her social observations and anecdotal style make this book a surprisingly fun, fast read. Her voice is likeable, believable, and (perhaps, most importantly) familiar. Most of the time, I believe that Orenstein, herself, does seem to embody the idea of a typical middle-class USA mom. Either by journalistic license or in her genuine character, Orenstein wrote Cinderella Ate My Daughter in a decidedly mainstream tone and for a decidedly mainstream audience.
I don't think I'm remiss in saying that even women who consider themselves in favor of womens' rights, equality, tolerance - don't use the label "Feminist" very often. And neither does Orenstein. Mainstream US society has taught us to fear that particular label, to avoid it. So, for the most part, even though she is raising a feminist argument, Orenstein does avoid calling it that most of the time. This choice, I think, allows her book to reach a more mainstream audience. It scares most Americans to be considered out of the "mainstream," (especially if one is a journalist - like Orenstein, who observes 'the mainstream' and reports on it). If Orenstein is trying to seem the "everymom," she really pulls it off.
Orenstein, echoing the sentiment of what I believe is a lot of people in this country, attempts to have the "best" of both worlds by participating in and enjoying the safety of mainstream culture (Look! My children and I lead "normal," healthy lives!), and criticizing it and advocating change at the same time (Look! We consider these activities and attitudes "normal," and we shouldn't - they are harmful!). People attempting this (people like...me!) can come off conflicted/confused because they're attempting to reconcile what is seemingly impossible.
As a result, what Orenstein doesn't quite bring to the table is conviction. In her attempt to reconcile living in the mainstream/criticizing the mainstream, she often builds up a great deal of heated conviction in the beginnings and middles of her chapters on specific topics (princesses, American Girl Dolls, Barbie, fairy tales, Disney, mixed-gender play, consumerism/advertising, child beauty pageants), but then lets her arguments wither away by the end of the chapters into a series of confused questions. While this ambivalence may mirror what some mainstream parents feel toward the culture they live in, it makes for a weak argument. And this is why this book, in my opinion, only deserves two stars.
Furthermore, by "kind-of-but-not-exactly" labeling her argument or herself as "feminist" - she does an even further disservice to her readers by pushing the word (the lifestyle, the criticism) slightly to the side, once again - where "feminist" can be side-stepped, rather than better defined. Taboo, rather than common. Ignored, rather than embraced.
I did appreciate Orenstein bringing an essentially (watered-down) feminist criticism to mainstream moms. Perhaps they can find use for it, perhaps they can begin questioning their child-rearing decisions more often than they currently do (I know she has inspired me to think about my own future-momness). Maybe to a mainstream American mom, Orenstein is asking questions about and criticizing a culture that they had not had the inclination to formally engage with before now...Maybe a dose of "feminist-lite" can prove more helpful than no criticism at all.
The strong points of this book, in my opinion, are the author's voice, her ability to be concise, and the pace of the book itself. Orenstein can be a funny lady - her social observations and anecdotal style make this book a surprisingly fun, fast read. Her voice is likeable, believable, and (perhaps, most importantly) familiar. Most of the time, I believe that Orenstein, herself, does seem to embody the idea of a typical middle-class USA mom. Either by journalistic license or in her genuine character, Orenstein wrote Cinderella Ate My Daughter in a decidedly mainstream tone and for a decidedly mainstream audience.
I don't think I'm remiss in saying that even women who consider themselves in favor of womens' rights, equality, tolerance - don't use the label "Feminist" very often. And neither does Orenstein. Mainstream US society has taught us to fear that particular label, to avoid it. So, for the most part, even though she is raising a feminist argument, Orenstein does avoid calling it that most of the time. This choice, I think, allows her book to reach a more mainstream audience. It scares most Americans to be considered out of the "mainstream," (especially if one is a journalist - like Orenstein, who observes 'the mainstream' and reports on it). If Orenstein is trying to seem the "everymom," she really pulls it off.
Orenstein, echoing the sentiment of what I believe is a lot of people in this country, attempts to have the "best" of both worlds by participating in and enjoying the safety of mainstream culture (Look! My children and I lead "normal," healthy lives!), and criticizing it and advocating change at the same time (Look! We consider these activities and attitudes "normal," and we shouldn't - they are harmful!). People attempting this (people like...me!) can come off conflicted/confused because they're attempting to reconcile what is seemingly impossible.
As a result, what Orenstein doesn't quite bring to the table is conviction. In her attempt to reconcile living in the mainstream/criticizing the mainstream, she often builds up a great deal of heated conviction in the beginnings and middles of her chapters on specific topics (princesses, American Girl Dolls, Barbie, fairy tales, Disney, mixed-gender play, consumerism/advertising, child beauty pageants), but then lets her arguments wither away by the end of the chapters into a series of confused questions. While this ambivalence may mirror what some mainstream parents feel toward the culture they live in, it makes for a weak argument. And this is why this book, in my opinion, only deserves two stars.
Furthermore, by "kind-of-but-not-exactly" labeling her argument or herself as "feminist" - she does an even further disservice to her readers by pushing the word (the lifestyle, the criticism) slightly to the side, once again - where "feminist" can be side-stepped, rather than better defined. Taboo, rather than common. Ignored, rather than embraced.
I did appreciate Orenstein bringing an essentially (watered-down) feminist criticism to mainstream moms. Perhaps they can find use for it, perhaps they can begin questioning their child-rearing decisions more often than they currently do (I know she has inspired me to think about my own future-momness). Maybe to a mainstream American mom, Orenstein is asking questions about and criticizing a culture that they had not had the inclination to formally engage with before now...Maybe a dose of "feminist-lite" can prove more helpful than no criticism at all.
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Reading Progress
| 04/11/2011 | page 153 |
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53.0% |
Comments (showing 1-2 of 2) (2 new)
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Annie
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Feb 15, 2012 07:39pm
I haven't read the book yet, but I find your comment very interesting. Are you aware of other books on the subject you would more highly?
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