Claire Scott's Reviews > The King of Attolia
The King of Attolia (The Queen's Thief, #3)
by Megan Whalen Turner
by Megan Whalen Turner
Claire Scott's review
bookshelves: re-reads, ya, speculative-fiction, high-younger-readers, middle-grade, love-love-love, totally-satisfying, want-to-own, long-ago-far-away-fantasy
Mar 08, 10
bookshelves: re-reads, ya, speculative-fiction, high-younger-readers, middle-grade, love-love-love, totally-satisfying, want-to-own, long-ago-far-away-fantasy
Read in March, 2010
I'm not a mystery reader, and I've never fully appreciated whodunits, so by rights I should have been irritated with the Attolia books rather than enthralled by them. Unguessable twists and turns are the hallmark of the series: the reader can't possible figure out exactly what is going on because we don't have the information necessary, but we're haunted by the certainty that something more is going on than what the other, non-trickster characters are seeing. This was a sick-day reread for me, and I was just as captured by it this time, even knowing the upcoming twists (those that I could remember, anyway).
Eugenides, the Thief of Eddis, has acceded to the throne of Attolia. He sleeps through official meetings, plays the fool, and generally convinces his attendants, Guard, and other members of the court that he is either weak or a buffoon. Most of the narrative is from the perspective of Costis, an honorable guard who's fallen into the unenviable role of being Gen's lackey. He's not the brightest, and his opinion of Gen is nearly as contemptuous as everyone else's, at least in the beginning. What makes the book interesting is that the reader knows better.
The King of Attolia is, IMO, the absolute best of the three books. What makes it so excellent is that Megan Whalen Turner's sleight-of-hand with the plot mirrors the complexity of the relationship between the new King and the Queen. Even through the cloudiness and uncertainty of the plot, there are glimpses of powerful emotion that kept me hanging on to every word and possible clue. The backstory of their relationship -- the Queen's torture of Gen, the uncertain coercion of their marriage -- plays a huge role, coloring every important element of the story.
There's been a lot of discussion about whether the narrative gaps in this book are an intentional plot tool or due to its being a sequel. Many people believe it could stand alone. I think it's clear that the narrative gaps are a tool, but I think the whole emotional web that gives the book such intriguing weight is dependent on the The Queen of Attolia. (I think The Thief serves primarily to show that Gen is more than he appears.)
I heard a rumor that a fourth book is on its way, and as there were several Sounis-related loose ends that weren't tied up in this book, I'm hopeful! These keep getting better and better. Please write more!
Eugenides, the Thief of Eddis, has acceded to the throne of Attolia. He sleeps through official meetings, plays the fool, and generally convinces his attendants, Guard, and other members of the court that he is either weak or a buffoon. Most of the narrative is from the perspective of Costis, an honorable guard who's fallen into the unenviable role of being Gen's lackey. He's not the brightest, and his opinion of Gen is nearly as contemptuous as everyone else's, at least in the beginning. What makes the book interesting is that the reader knows better.
The King of Attolia is, IMO, the absolute best of the three books. What makes it so excellent is that Megan Whalen Turner's sleight-of-hand with the plot mirrors the complexity of the relationship between the new King and the Queen. Even through the cloudiness and uncertainty of the plot, there are glimpses of powerful emotion that kept me hanging on to every word and possible clue. The backstory of their relationship -- the Queen's torture of Gen, the uncertain coercion of their marriage -- plays a huge role, coloring every important element of the story.
There's been a lot of discussion about whether the narrative gaps in this book are an intentional plot tool or due to its being a sequel. Many people believe it could stand alone. I think it's clear that the narrative gaps are a tool, but I think the whole emotional web that gives the book such intriguing weight is dependent on the The Queen of Attolia. (I think The Thief serves primarily to show that Gen is more than he appears.)
I heard a rumor that a fourth book is on its way, and as there were several Sounis-related loose ends that weren't tied up in this book, I'm hopeful! These keep getting better and better. Please write more!
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Levina
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rated it 5 stars
Jul 04, 2011 03:24pm
Hmm. What do you think happened on their (Gen and Irene's) wedding night? Apparently they both cried for some reason, and argued about the Guard. But why? Maybe I'm bad at reading in between the lines, or maybe I just can't think of anything that would make the rigid queen of Attolia cry. What do you think?
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