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    <name><![CDATA[Sarah]]></name>
    <location><![CDATA[Philadelphia, PA]]></location>        
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  <id type="integer">123099</id>
  <isbn>1400031079</isbn>
  <isbn13>9781400031078</isbn13>
  <ratings_count type="integer">39</ratings_count>
  <text_reviews_count type="integer">18</text_reviews_count>
  <title>Love in Idleness</title>
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<author>
  <id type="integer">70945</id>
  <name>Amanda Craig</name>
  <ratings_count type="integer">127</ratings_count>
  <text_reviews_count type="integer">30</text_reviews_count>
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  <read_at>Sun Jan 01 00:00:00 -0800 2006</read_at>
  <date_added>Thu May 24 19:51:09 -0700 2007</date_added>
  <date_updated>Wed Dec 16 20:03:55 -0800 2009</date_updated>
  <read_count>1</read_count>
    <body><![CDATA[Finished <em>Love in Idleness</em> by Amanda Craig. I hardly know what to say. Perhaps I could start off by saying that even if you have a fascination with Shakespeare's <em>Midsummer Night's Dream</em> you don't have to work it into your novel.<br/><br/>When I first started <em>Love in Idleness</em>, so many characters were thrown at me that I was about to walk away from the book--which I hardly ever do. Finally I figured out the relationships (kind of) and the nationalities (sort of) and saw where Craig was taking me (or so I thought). I was getting into the storyline and was putting aside my thoughts on her less-than-perfect dialogue when suddenly there was magic and fairies and love potions and mists that rose up and dissipated at a moment's notice. I knew who was going to end up with who from the very beginning (except for Polly and Theo), but why did she have to incorporate a <em>Midsummer Night's Dream</em> moment to accomplish it? I think it was a cheap way out. I don't think I'll be reading another of her books...although maybe I should, just to see if this is a common strain in her writing.]]></body>
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