TJ's Reviews > The Woman in White
The Woman in White
by Wilkie Collins, Matthew Sweet
by Wilkie Collins, Matthew Sweet
This book is an amazing teaching tool. Not because it conveys any great lessons in life or exhibits profound understanding and insight but because it so clearly delineates the beauty and differences in 19th century writing and 21st century writing.
The story is definitely very gothic and one of the best mysteries available. It is in the length of the story - most especially the length of the writing that will probably cause many readers to balk. The descriptions, the conversations, the ideas... virtually everything is pondered at length. Reading this in today's society, where TV, the internet, pictures, videos etc. etc. grant us instant understanding and gratification, can be a tedious and boring job. In order to truly appreciate Collins writing, one must put themselves in the shoes of a reader amid 19th century standards. Most people knew little of life outside their small communities. Few traveled or had experience with people and places beyond the immediate. Thus the need for long explanations and descriptions. It was the only door open for a reader to experience life beyond.
A perfect example would be the description of Count Fosco, a very large Italian man. His description was so intricate and detailed as to take pages (not paragraphs - pages.) To us, that description might seem never-ending. To one who had probably never seen, let alone known an Italian man - good or bad - it described one so perfectly that the reader (without our modern day photography) could picture him with ease.
Therefore, any accurate review of this book must allow for those differences. Readers who enjoy the beauty of the written word just for itself will absolutely revel in this story. Those who are more story driven will need to put on their patience caps to get through it. The story itself is immaculately well-done, it is dark without being terrifying, riveting without being graphic. It is just couched within a style long forgotten and truly appreciated.
The story is definitely very gothic and one of the best mysteries available. It is in the length of the story - most especially the length of the writing that will probably cause many readers to balk. The descriptions, the conversations, the ideas... virtually everything is pondered at length. Reading this in today's society, where TV, the internet, pictures, videos etc. etc. grant us instant understanding and gratification, can be a tedious and boring job. In order to truly appreciate Collins writing, one must put themselves in the shoes of a reader amid 19th century standards. Most people knew little of life outside their small communities. Few traveled or had experience with people and places beyond the immediate. Thus the need for long explanations and descriptions. It was the only door open for a reader to experience life beyond.
A perfect example would be the description of Count Fosco, a very large Italian man. His description was so intricate and detailed as to take pages (not paragraphs - pages.) To us, that description might seem never-ending. To one who had probably never seen, let alone known an Italian man - good or bad - it described one so perfectly that the reader (without our modern day photography) could picture him with ease.
Therefore, any accurate review of this book must allow for those differences. Readers who enjoy the beauty of the written word just for itself will absolutely revel in this story. Those who are more story driven will need to put on their patience caps to get through it. The story itself is immaculately well-done, it is dark without being terrifying, riveting without being graphic. It is just couched within a style long forgotten and truly appreciated.
Sign into Goodreads to see if any of your friends have read The Woman in White.
sign in »
Comments (showing 1-21 of 21) (21 new)
date
newest »
newest »
message 1:
by
Tammy
(new)
Jan 11, 2011 08:09pm
This looks good, you literary-type, you!
reply
|
flag
*
There will be a couple more that I recommended (aka PUSHED through) :D but I didn't list them because I have already read them!
You pushy broad, you. :P And if you've already read 'em, you'll sound ever so smart when you are discussing them, lol.
It was actually a good mystery - yes, very gothic but not particularly scary. It went on forever, though!
I love Wilkie Collins, but I have yet to read this one. Great review, and perfect point about the descriptions serving the limited experiences of the readers.
I agree with Karla. Makes a lot of sense, and yet was something none of my English teachers ever talked about when teaching 19th century literature.
Kelly wrote: "I agree with Karla. Makes a lot of sense, and yet was something none of my English teachers ever talked about when teaching 19th century literature."Same here! All about SYMBOLISM, instead of practical matters. :P
Actually Wilkie Collins was criticized even by his supporters (like Dickens)for spoon feeding his readers, so even his contemporaries thought he was excessively wordy and went into too much detail. But I have to agree, that as verbose as it is, it is beautiful writing and I love it :-).
Thank you ladies!I TOTALLY agree with everything you are saying. It was actually as I was pondering the Dickens/Collins propensities that the motivation behind them dawned on me. We already know all the stuff they are droning on about because we've seen it on TV a million times but their audience had only words to enlighten them. Still... gosh! they were wordy!
@Karla, This was my first Collins, I highly recommend this one if you like him. What has been your favorite?
I'll second the vote for NO NAME. :) Also, if you're pressed for time but want a quick hit of Collins, try his novella THE HAUNTED HOTEL. It's a great example of Victorian stories that bridge the gap between sensation & horror.


