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    <name><![CDATA[Alex]]></name>
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  <id type="integer">215885</id>
  <isbn>0529020521</isbn>
  <isbn13>9780529020529</isbn13>
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  <title>
    <![CDATA[The Annotated Alice: Alice's Adventures in Wonderland &amp; Through the Looking Glass]]>
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  <average_rating>4.67</average_rating>
  <ratings_count>9</ratings_count>
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    <![CDATA[<em>&quot;What is the use of a book,&quot; thought Alice, &quot;without  pictures or conversations!&quot;</em><p>  Readers who share Alice's taste in books will be more than satisfied  with <em>The Annotated Alice</em>, a volume that includes not only pictures  and conversations, but a thorough gloss on the text as well. There may be  some, like G.K. Chesterton, who abhor the notion of putting Lewis Carroll's masterpiece under a microscope and analyzing it within an inch of its whimsical life. But as Martin Gardner points out in his introduction,  so much of <em>Alice in Wonderland</em> and <em>Through the Looking Glass</em>  is composed of private jokes and details of Victorian manners and mores  that modern audiences are not likely to catch. Yes, <em>Alice</em> can be  enjoyed on its own merits, but <em>The Annotated Alice</em> appeals to the nosy parker in all of us. Thus we learn, for example, that the source  of the mouse's tale may have been Alfred Lord Tennyson who &quot;once told Carroll that he had dreamed a lengthy poem about fairies, which began  with very long lines, then the lines got shorter and shorter until the poem ended with fifty or sixty lines of two syllables each.&quot;  And that,  contrary to popular belief, the Mad Hatter character was <em>not</em> a parody of then Prime Minister Gladstone, but rather was based on an Oxford furniture dealer named Theophilus Carter. <p> Gardner's annotations run the gamut from the factual and historical to  the speculative and are, in their own way, quite as fascinating as the text they refer to. Occasionally, he even comments on himself, as when he  quotes a fellow annotator of <em>Alice</em>, James Kincaid: &quot;The historical  context does not call for a gloss but the passage provides an opportunity to  point out the ambivalence that may attend the central figure and her desire  to grow up.&quot; And then follows with a charming riposte: &quot;I thank Mr.  Kincaid for supporting my own rambling.&quot;  There's a <em>lot</em> of information in  the margins (indeed, the page is pretty evenly divided between Carroll's  text and Gardner's), but the ramblings turn out to be well worth the time.  So hand over your old copy of Lewis Carroll's classic to the kids--this <em>Alice in Wonderland</em> is intended entirely for adults. <em>--Alix Wilber</em></p></p>]]>
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    <id>8164</id>
        <name><![CDATA[Lewis Carroll]]></name>
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    <average_rating>4.09</average_rating>
    <ratings_count>45256</ratings_count>
    <text_reviews_count>2537</text_reviews_count>
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  </authors>  <published>1871</published>
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  <date_added>Sun Jan 27 18:38:21 -0800 2008</date_added>
  <date_updated>Sun Jan 27 18:38:21 -0800 2008</date_updated>
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