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<a href="http://www.goodreads.com/book/show/16204.Daisy_Miller?utm_medium=api&amp;utm_source=blog_review" style="float: left; padding-right: 20px"><img alt="Daisy Miller" border="0" src="http://s3.amazonaws.com/photo.goodreads.com/books/1166720104m/16204.jpg" /></a> <a href="http://www.goodreads.com/book/show/16204.Daisy_Miller?utm_medium=api&utm_source=blog_review">Daisy Miller</a> by <a href="http://www.goodreads.com/author/show/159.Henry_James">Henry James</a> 
 <a href="http://www.goodreads.com/review/show/13039457?utm_medium=api&utm_source=blog_review"><h3>My review</h3></a>
 rating: 4 of 5 stars This little story catalyzed a lot of late 19th century debate about American values and European values and--particularly--the confident, un-blushing American girl who is not inclined to conform to the snobbish tastes and attitudes of the upper class people she meets as her family becomes wealthy.
 
 "Daisy Miller" became a debatable type of American girl, Daisy Millerism a controversial kind of topic.
 
 Contemporary readers should give some thought to how Daisy's major sin against expatriate society is that she spends time with and values the company of local people. Compare Winterbourne abroad, spending time only with people of means and breeding, to Daisy, who chooses to spend a lot of her time with Mr. Giovanelli, who is not--as Winterbourne's friends say--a treasure hunter but really a respectable and clever Italian man of modest means. (Daisy does not choose to spend to with scoundrels and criminals and men of low character, though Winterbourne's set sees her that way.) And then think about how middle class American kids backpacking around Europe and staying in hostels are Daisy's descendants, mixing and mingling with the local people because that's who interests them. And think of how in some ways contemporary horror movies about American kids running into trouble Europe--the Hostel films, for example--echo Daisy's troubles. The kids are too bold, brash, and confident, interested in local culture but on their own terms, and they run into trouble because of it.
 
 Of course, James doesn't run blame in one direction in "DM"; Daisy's overconfidence and naivete are not the only factors contributing to her fate. Winterbourne and his people antagonize and irritate Daisy so much that she disregards even their good advice (about, say, staying out of the Colosseum). And Winterbourne never gets around to admitting to himself that he likes Daisy very much more than he likes the upper class women who scare him with their threats of social ostracism. He never notices how Daisy's interest in culture is tied not to snobbish intellectual achievement but to understanding how people relate to and care about things. E.g., Rome comes alive for her when Giovanelli explains it, and the Chateau de Chillon is interesting only when Winterbourne--rather than the dry, dull tour guide--is explaining it. (For his part, Winterbourne is constantly hoping that Daisy's lapses from social propriety mean that she will yield up her person to him in some naughty way, and he even makes arrangements for that sort of thing at Chillon. Contrast to Giovanelli.)
 
 So it's a godo story, and it's short, and it deals with James's great Americans-scandalizing-Europe theme, so if you think you'd like to try out some Henry James, it's a great place to start.
 <a href="http://www.goodreads.com/review/list/91284?utm_medium=api&utm_source=blog_review">View all my reviews.</a>

Fred's review
rating:

This little story catalyzed a lot of late 19th century debate about American values and European values and--particularly--the confident, un-blushing American girl who is not inclined to conform to the snobbish tastes and attitudes of the upper class people she meets as her family becomes wealthy.

"Daisy Miller" became a debatable type of American girl, Daisy Millerism a controversial kind of topic.

Contemporary readers should give some thought to how Daisy's major sin against expatriate society is that she spends time with and values the company of local people. Compare Winterbourne abroad, spending time only with people of means and breeding, to Daisy, who chooses to spend a lot of her time with Mr. Giovanelli, who is not--as Winterbourne's friends say--a treasure hunter but really a respectable and clever Italian man of modest means. (Daisy does not choose to spend to with scoundrels and criminals and men of low character, though Winterbourne's set sees her ...more This little story catalyzed a lot of late 19th century debate about American values and European values and--particularly--the confident, un-blushing American girl who is not inclined to conform to the snobbish tastes and attitudes of the upper class people she meets as her family becomes wealthy.

"Daisy Miller" became a debatable type of American girl, Daisy Millerism a controversial kind of topic.

Contemporary readers should give some thought to how Daisy's major sin against expatriate society is that she spends time with and values the company of local people. Compare Winterbourne abroad, spending time only with people of means and breeding, to Daisy, who chooses to spend a lot of her time with Mr. Giovanelli, who is not--as Winterbourne's friends say--a treasure hunter but really a respectable and clever Italian man of modest means. (Daisy does not choose to spend to with scoundrels and criminals and men of low character, though Winterbourne's set sees her that way.) And then think about how middle class American kids backpacking around Europe and staying in hostels are Daisy's descendants, mixing and mingling with the local people because that's who interests them. And think of how in some ways contemporary horror movies about American kids running into trouble Europe--the Hostel films, for example--echo Daisy's troubles. The kids are too bold, brash, and confident, interested in local culture but on their own terms, and they run into trouble because of it.

Of course, James doesn't run blame in one direction in "DM"; Daisy's overconfidence and naivete are not the only factors contributing to her fate. Winterbourne and his people antagonize and irritate Daisy so much that she disregards even their good advice (about, say, staying out of the Colosseum). And Winterbourne never gets around to admitting to himself that he likes Daisy very much more than he likes the upper class women who scare him with their threats of social ostracism. He never notices how Daisy's interest in culture is tied not to snobbish intellectual achievement but to understanding how people relate to and care about things. E.g., Rome comes alive for her when Giovanelli explains it, and the Chateau de Chillon is interesting only when Winterbourne--rather than the dry, dull tour guide--is explaining it. (For his part, Winterbourne is constantly hoping that Daisy's lapses from social propriety mean that she will yield up her person to him in some naughty way, and he even makes arrangements for that sort of thing at Chillon. Contrast to Giovanelli.)

So it's a godo story, and it's short, and it deals with James's great Americans-scandalizing-Europe theme, so if you think you'd like to try out some Henry James, it's a great place to start....less

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