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    <name><![CDATA[Vinnie]]></name>
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  <id type="integer">15196</id>
  <isbn>0394541553</isbn>
  <isbn13>9780394541556</isbn13>
  <text_reviews_count type="integer">727</text_reviews_count>
  <title>
    <![CDATA[Maus I: A Survivor's Tale: My Father Bleeds History]]>
  </title>
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  <average_rating>4.42</average_rating>
  <ratings_count>9268</ratings_count>
  <description>
    <![CDATA[Some historical events simply beggar any attempt at description--the Holocaust is one of these. Therefore, as it recedes and the people able to bear witness die, it becomes more and more essential that novel, vigorous methods are used to describe the indescribable. Examined in these terms, Art Spiegelman's <em>Maus</em> is a tremendous achievement, from a historical perspective as well as an artistic one. <p>  Spiegelman, a stalwart of the underground comics scene of the 1960s and '70s, interviewed his father, Vladek, a Holocaust survivor living outside New York City, about his experiences. The artist then deftly translated that story into a graphic novel. By portraying a true story of the Holocaust in comic form--the Jews are mice, the Germans cats, the Poles pigs, the French frogs, and the Americans dogs--Spiegelman compels the reader to <em>imagine</em> the action, to fill in the blanks that are so often shied away from. Reading <em>Maus</em>, you are forced to examine the Holocaust anew.<p>  This is neither easy nor pleasant. However, Vladek Spiegelman and his wife Anna are resourceful heroes, and enough acts of kindness and decency appear in the tale to spur the reader onward (we also know that the protagonists survive, else reading would be too painful). This first volume introduces Vladek as a happy young man on the make in pre-war Poland. With outside events growing ever more ominous, we watch his marriage to Anna, his enlistment in the Polish army after the outbreak of hostilities, his and Anna's life in the ghetto, and then their flight into hiding as the Final Solution is put into effect. The ending is stark and terrible, but the worst is yet to come--in the second volume of this Pulitzer Prize-winning set. <em>--Michael Gerber</em> </p></p>]]>
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    <author>
    <id>5117</id>
        <name><![CDATA[Art Spiegelman]]></name>
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    <average_rating>4.42</average_rating>
    <ratings_count>27135</ratings_count>
    <text_reviews_count>2027</text_reviews_count>
  </author>
  </authors>  <published>1986</published>
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    <rating>4</rating>
  <votes>1</votes>
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  <recommended_for><![CDATA[anyone]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Tue Jan 01 00:00:00 -0800 2008</read_at>
  <date_added>Thu Dec 13 23:58:18 -0800 2007</date_added>
  <date_updated>Mon May 19 00:43:45 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[There's a lot of praise out there for this book, and it's all well deserved. There are countless books that tell stories of the Holocaust. None do it the way <em>Maus</em> does. By telling a real story through a medium that values the surreal, the author, Art Spiegelman, (who is also the artist) gives a fres...<a href="http://www.goodreads.com/review/show/10405935">more...</a>]]></body>
    
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