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  <isbn>0802142532</isbn>
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  <title>
    <![CDATA[Mozart in the Jungle: Sex, Drugs, and Classical Music]]>
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  <average_rating>3.48</average_rating>
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    <![CDATA[&lt;div&gt;From her debut recital at Carnegie Hall to performing with the orchestras of Les Miserables and Miss Saigon, oboist Blair Tindall has been playing classical music professionally for twenty-five years. She's also lived the secret life of musicians who survive hand to mouth, trading sex and drugs for low-paying gigs and the promise of winning a rare symphony position or a lucrative solo recording contract. In <em>Mozart in the Jungle,</em> Tindall describes her graduation from the North Carolina School of the Arts to the backbiting New York classical music scene, a world where Tindall and her fellow classical musicians often play drunk, high, or hopelessly hung-over, live in decrepit apartments, and perform in hazardous conditions. (In the cramped confines of a Broadway pit, the decibel level of one instrument is equal to the sound of a chain saw.)<br/><br/><em>Mozart in the Jungle</em> offers a stark contrast between the rarefied experiences of overpaid classical musician superstars and those of the working-class musicians. For lovers of classical music, <em>Mozart in the Jungle</em> is the first true, behind-the-scenes look at what goes on backstage and in the Broadway pit.<br/>&lt;/div&gt;]]>
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        <name><![CDATA[Blair Tindall]]></name>
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    <average_rating>3.32</average_rating>
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  </authors>  <published>2005</published>
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  <date_added>Mon Dec 10 14:30:51 -0800 2007</date_added>
  <date_updated>Mon Dec 10 14:31:13 -0800 2007</date_updated>
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